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Sanford Friedman

    Sanford Friedman's literary contributions are marked by a profound exploration of complex human relationships and psychological depth. His prose is notable for its candid and sensitive examination of themes surrounding identity and homosexuality. Critics have lauded his works for their unflinching honesty and insightful portrayal of characters' inner lives. Friedman skillfully navigated the internal struggles and the journey towards self-acceptance within his narratives.

    Conversations with Beethoven
    Totempole
    • 2014

      Totempole

      • 419 pages
      • 15 hours of reading
      4.1(121)Add rating

      Totempole is Sanford Friedman’s radical coming-of-age novel, featuring Stephen Wolfe, a young Jewish boy growing up in New York City and its environs during the Depression and war years. In eight discrete chapters, which trace Stephen’s evolution from a two-year-old boy to a twenty-four-year-old man, Friedman describes with psychological acuity and great empathy Stephen’s intellectual, moral, and sexual maturation. Taught to abhor his body for the sake of his soul, Stephen finds salvation in the eventual unification of the two, the recognition that body and soul should not be partitioned but treated as one being, one complete man.

      Totempole
    • 2014

      Conversations with Beethoven

      • 285 pages
      • 10 hours of reading

      Inspired by the famous composer’s notebooks, this biographical novel offers “a perfect portrait of an irascible genius” and “revelatory fossils of the last year of Beethoven’s anguished life” (Edmund White) Deaf as he was, Beethoven had to be addressed in writing, and he was always accompanied by a notebook in which people could scribble questions and comments. In a tour de force fiction invention, Conversations with Beethoven tells the story of the last year of Beethoven’s life almost entirely through such notebook entries. Friends, family, students, doctors, and others attend to the volatile Maestro, whose sometimes unpredictable and often very loud replies we infer. A fully fleshed and often very funny portrait of Beethoven emerges. He struggles with his music and with his health; he argues with and insults just about everyone. Most of all, he worries about his wayward—and beloved—nephew Karl. A large cast of Dickensian characters surrounds the great composer at the center of this wonderfully engaging novel, which deepens in the end to make a memorable music of its own.

      Conversations with Beethoven