Explore the latest books of this year!
Bookbot

Siteless: 1001 Building Forms

Book rating

Parameters

  • 128 pages
  • 5 hours of reading

More about the book

Some may call it the first manifesto of the twenty-first century, for it lays down a new way to think about architecture. Others may think of it as the last architectural treatise, for it provides a discursive container for ideas that would otherwise be lost. Whatever genre it belongs to, SITELESS is a new kind of architecture book that seems to have come out of nowhere. Its author, a young French architect practicing in Tokyo, admits he "didn't do this out of reverence toward architecture, but rather out of a profound boredom with the discipline, as a sort of compulsive reaction." What would happen, he asks, if architects liberated their minds from the constraints of site, program, and budget? The result is a book that is saturated with forms, and as free of words as any architecture book the MIT Press has ever published

Book purchase

Siteless: 1001 Building Forms, François Blanciak

Language
Released
2008
Binding
(Paperback)
We’ll email you as soon as we track it down.

Payment methods

4.0
Very Good
113 Ratings

We’re missing your review here.

Title
Siteless: 1001 Building Forms
Language
English
Publisher
MIT Press
Released
2008
Format
Paperback
Pages
128
ISBN10
0262026309
ISBN13
9780262026307
Series
Rating
4 out of 5
Description
Some may call it the first manifesto of the twenty-first century, for it lays down a new way to think about architecture. Others may think of it as the last architectural treatise, for it provides a discursive container for ideas that would otherwise be lost. Whatever genre it belongs to, SITELESS is a new kind of architecture book that seems to have come out of nowhere. Its author, a young French architect practicing in Tokyo, admits he "didn't do this out of reverence toward architecture, but rather out of a profound boredom with the discipline, as a sort of compulsive reaction." What would happen, he asks, if architects liberated their minds from the constraints of site, program, and budget? The result is a book that is saturated with forms, and as free of words as any architecture book the MIT Press has ever published