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  • 64 pages
  • 3 hours of reading

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In our digital age, "skin" and "control" evoke, respectively, a program's faceplate screen and the key in the bottom left corner of the keyboard. MIT-based media artist Chris Csikszentmihlyi calls up other, older technological references, to an airplane's exterior and a control panel, with two large-scale installations at New York's Location One. "Skin" is the partial fuselage of a Boeing 737, inside of which viewers can feel the vibrations of a plane in flight and hear the muffled conversations of passengers. "Control" is roughly modeled on panels used in Chernobyl's nuclear reactor, which a viewer can manipulate while also wondering what kind of control he gains by his interaction. The two projects provide a visceral understanding of our dependence on complex technologies and the vulnerability they engender.

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Skin Control, McKenzie Wark, Chris Csikszentmihályi, Caroline A. Jones

Language
Released
2005
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(Hardcover)
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Title
Skin Control
Language
English
Released
2005
Format
Hardcover
Pages
64
ISBN10
8881585170
ISBN13
9788881585175
Series
Description
In our digital age, "skin" and "control" evoke, respectively, a program's faceplate screen and the key in the bottom left corner of the keyboard. MIT-based media artist Chris Csikszentmihlyi calls up other, older technological references, to an airplane's exterior and a control panel, with two large-scale installations at New York's Location One. "Skin" is the partial fuselage of a Boeing 737, inside of which viewers can feel the vibrations of a plane in flight and hear the muffled conversations of passengers. "Control" is roughly modeled on panels used in Chernobyl's nuclear reactor, which a viewer can manipulate while also wondering what kind of control he gains by his interaction. The two projects provide a visceral understanding of our dependence on complex technologies and the vulnerability they engender.