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Bernadinism

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  • 144 pages
  • 6 hours of reading

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Bernadine's photographic world is way out, incredible funny at times, disturbing at others. Its compositional strength and color intensity always constitute a visual happening, or as Alva Bernadine himself puts it: "I take the theatricality of surrealism, the elegance of classical haute couture photography, the narrative of reportage and the refinements of advertising photography and mix them all into a 'Bernadinian cocktail' -- a radical photographic synthesis". Bernadine's photographs can be read at two levels: on the surface, a feast for the eyes, below that, a wealth of sublime, ironic, sometimes provocative allusion. After the initial shock -- maybe even the first burst of laughter -- the spectator discovers the photographs' narrative quality, unfolding between careful mise-en-scene and surreal exaggeration. Latex-clad women in their fitted-kitchens, female bodies with two lower or upper torsos -- these are stories from the subculture of male fantasy, defused somewhat by self-mocking exaggeration and surreal form, though without losing anything of their provocative and pugnacious quality.

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Bernadinism, Alva Bernadine

Language
Released
2001
Binding
(Hardcover)
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Title
Bernadinism
Language
English
Released
2001
Format
Hardcover
Pages
144
ISBN10
3908163390
ISBN13
9783908163398
Series
Rating
5 out of 5
Description
Bernadine's photographic world is way out, incredible funny at times, disturbing at others. Its compositional strength and color intensity always constitute a visual happening, or as Alva Bernadine himself puts it: "I take the theatricality of surrealism, the elegance of classical haute couture photography, the narrative of reportage and the refinements of advertising photography and mix them all into a 'Bernadinian cocktail' -- a radical photographic synthesis". Bernadine's photographs can be read at two levels: on the surface, a feast for the eyes, below that, a wealth of sublime, ironic, sometimes provocative allusion. After the initial shock -- maybe even the first burst of laughter -- the spectator discovers the photographs' narrative quality, unfolding between careful mise-en-scene and surreal exaggeration. Latex-clad women in their fitted-kitchens, female bodies with two lower or upper torsos -- these are stories from the subculture of male fantasy, defused somewhat by self-mocking exaggeration and surreal form, though without losing anything of their provocative and pugnacious quality.