Don Quixote

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Mikhail Bulgakov's stage adaptation of Don Quixote serves as a nuanced critique of Stalinist rule, cleverly disguised under the approval of Soviet censors. The introduction offers insightful context about Bulgakov's work, drawing parallels between his interpretation and Cervantes' original, while also exploring the contrasts between the two eras. This analysis enriches the reader's understanding of the adaptation's deeper themes and its place within both Russian literature and historical commentary.