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Residual Figuration in Samuel Beckett and Alberto Giacometti

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  • 128 pages
  • 5 hours of reading

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In 1945, Alberto Giacometti returned to Paris with fragile figurines representing his wartime creativity, while Samuel Beckett was beginning to craft his influential plays. Their collaboration in 1961 on a re-staging of "Waiting for Godot" highlighted their evolving artistic expressions. Giacometti's elongated figures appeared to dissolve into their surroundings, paralleling Beckett's focus on disembodied characters like Henry and Ada in "Embers." This intersection of sculpture and theater explores themes of existence, isolation, and the human condition.

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Residual Figuration in Samuel Beckett and Alberto Giacometti, Li Lin

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Released
2022
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Title
Residual Figuration in Samuel Beckett and Alberto Giacometti
Language
English
Authors
Li Lin
Publisher
Legenda
Released
2022
Format
Hardcover
Pages
128
ISBN13
9781781886625
Series
Description
In 1945, Alberto Giacometti returned to Paris with fragile figurines representing his wartime creativity, while Samuel Beckett was beginning to craft his influential plays. Their collaboration in 1961 on a re-staging of "Waiting for Godot" highlighted their evolving artistic expressions. Giacometti's elongated figures appeared to dissolve into their surroundings, paralleling Beckett's focus on disembodied characters like Henry and Ada in "Embers." This intersection of sculpture and theater explores themes of existence, isolation, and the human condition.