Deutsche Dramaturgie der sechziger Jahre

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This collection explores the evolution and challenges of theater, featuring a range of voices from prominent figures in the field. It begins with discussions on whether theater should reflect contemporary society, examining the concept of absurd theater and the expectations of realism. Key contributions include insights from Hildesheimer on the absurd, Dorst's vision of an active narrative, and Walser's reflections on realism. Piscator and Hochhuth emphasize the importance of truth over mere effect, while Weiss and Sperr delve into documentary theater and the expectations of performance. The dialogue continues with a focus on formal aspects of theater, as Pörtner and Bremer discuss the role of participation and happenings, highlighting the shift in theatrical expression during the 1960s. Nitsch and Handke contribute to the discourse on modern drama and the evolving nature of performance art. The collection also addresses the relationship between street theater and traditional theater, with Handke advocating for the former. Conversations with influential directors reveal insights into the authoritarian nature of German theater and the search for a modern German actor. Overall, this anthology captures the dynamic interplay of ideas that shape contemporary theater.