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Simon English

My Big Self Decoy Justin Beiber

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  • 144 pages
  • 6 hours of reading

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Simon my big self decoy justin beiber brings together a significant new body of painted drawings by the artist that format themselves around the double page spread, with both image and text on the page to invite and resist quiet contemplation. These exquisitely delicate and brutal drawings tussle with one another for space, pulling the viewer into the energetic and colourful vortexof the artist’s psyche. Diaries jostle with devotions, desires and disputes―a confabulation of friction and fiction in a place where fetish and fact collide.Simon English draws across the blank page with the instincts of one entering cyberspace. His surfing history is left only too clear on the surface of the page, or buried beneath heavy black deletions and overpainting. His are the ‘old’ gremlins, the monsters within that say one is too much and more is never enough. In 2004, Bill Arning wrote that “for picture addicts like myself, English is the equivalent of a crack dealer”.,br>The work within the book is brought together with written contributions from Laurence Scott, who will contribute a text emanating from English’s imaginary drawing database, and Sally O’Reilly, who will construct a voice for the work somewhere between art, theory, fiction and fantasy.

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Simon English, Bill Simon William English, Sally O'Reilly, Laurence Scott

Language
Released
2017
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Title
Simon English
Subtitle
My Big Self Decoy Justin Beiber
Language
English
Released
2017
Format
Paperback
Pages
144
ISBN10
1911164775
ISBN13
9781911164777
Series
Description
Simon my big self decoy justin beiber brings together a significant new body of painted drawings by the artist that format themselves around the double page spread, with both image and text on the page to invite and resist quiet contemplation. These exquisitely delicate and brutal drawings tussle with one another for space, pulling the viewer into the energetic and colourful vortexof the artist’s psyche. Diaries jostle with devotions, desires and disputes―a confabulation of friction and fiction in a place where fetish and fact collide.Simon English draws across the blank page with the instincts of one entering cyberspace. His surfing history is left only too clear on the surface of the page, or buried beneath heavy black deletions and overpainting. His are the ‘old’ gremlins, the monsters within that say one is too much and more is never enough. In 2004, Bill Arning wrote that “for picture addicts like myself, English is the equivalent of a crack dealer”.,br>The work within the book is brought together with written contributions from Laurence Scott, who will contribute a text emanating from English’s imaginary drawing database, and Sally O’Reilly, who will construct a voice for the work somewhere between art, theory, fiction and fantasy.