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Operatic Anthology

Soprano and Piano

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  • 336 pages
  • 12 hours of reading

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This vocal collection features a diverse selection of operatic arias, showcasing the emotional depth and technical prowess of the repertoire. Highlights include "Rittorna vincitor!" and "Oh patria mia" from Aida, as well as powerful pieces like "Ernani, involami" and "Madre, pietosa Vergine" from La Forza del Destino. The collection also includes "Pace, pace Mio Dio" and "Tacea la Notte placida" from Il Trovatore, alongside "D'amor sull'ali rosee." Other notable selections are "Mi chiamano Mimi" from La Boheme and "Je dis que rien ne m'epouvante" from Carmen, reflecting a range of emotions from longing to despair. Further enriching the collection are "Come scoglio" from Cosi fan tutte and "Deh vieni, non tardar" from Le Nozze di Figaro. The dramatic intensity of "Ach, ich fuhl's" from Die Zauberflote and Tatiana's poignant Letter Scene from Eugene Onegin add to the emotional landscape. Other significant works include "Einsam in truben Tagen" from Lohengrin, "Dich, theure Halle" from Tannhauser, and "Mild und leise" from Tristan und Isolde, culminating in a rich tapestry of operatic expression that spans various styles and historical contexts. This collection is an essential resource for singers and enthusiasts alike.

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Operatic Anthology, Kurt Adler

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Released
1986
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Title
Operatic Anthology
Subtitle
Soprano and Piano
Language
English
Authors
Kurt Adler
Released
1986
Format
Paperback
Pages
336
ISBN10
0793525829
ISBN13
9780793525829
Series
Rating
4.65 out of 5
Description
This vocal collection features a diverse selection of operatic arias, showcasing the emotional depth and technical prowess of the repertoire. Highlights include "Rittorna vincitor!" and "Oh patria mia" from Aida, as well as powerful pieces like "Ernani, involami" and "Madre, pietosa Vergine" from La Forza del Destino. The collection also includes "Pace, pace Mio Dio" and "Tacea la Notte placida" from Il Trovatore, alongside "D'amor sull'ali rosee." Other notable selections are "Mi chiamano Mimi" from La Boheme and "Je dis que rien ne m'epouvante" from Carmen, reflecting a range of emotions from longing to despair. Further enriching the collection are "Come scoglio" from Cosi fan tutte and "Deh vieni, non tardar" from Le Nozze di Figaro. The dramatic intensity of "Ach, ich fuhl's" from Die Zauberflote and Tatiana's poignant Letter Scene from Eugene Onegin add to the emotional landscape. Other significant works include "Einsam in truben Tagen" from Lohengrin, "Dich, theure Halle" from Tannhauser, and "Mild und leise" from Tristan und Isolde, culminating in a rich tapestry of operatic expression that spans various styles and historical contexts. This collection is an essential resource for singers and enthusiasts alike.