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Fine Art of Reading

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  • 44 pages
  • 2 hours of reading

More about the book

The Fine Art of Reading was Cecil's inaugural lecture as Goldsmiths' Professor of English Literature at Oxford in 1949; it is also the title of a collection of studies from which the present essay is taken. Like all his other works, the piece combines scholarly attention to detail with accessibility to a general audience. In an engaging manner, Cecil assesses the relative merits of great authors and poets such as Milton, Gray and Shelley, while stressing that the only important distinction is between good and bad art. There are as many different kinds of good book as there are different kinds of good writer. Each has something to give us. We should admire each in so far as he strikes us as good in his particular kind. In order to property appreciate good writing we need to cultivate a point of view from which a work's aesthetic qualities occupy our centre vision. This happens naturally with other art forms such as music, where the appeal is purely aesthetic. Proper reading is an art in itself and David Cecil is the finest of instructors.

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Fine Art of Reading, David Cecil

Language
Released
2001
product-detail.submit-box.info.binding
(Hardcover),
Book condition
Good
Price
€16.99

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Title
Fine Art of Reading
Language
English
Released
2001
Format
Hardcover
Pages
44
ISBN10
0285636006
ISBN13
9780285636002
Series
Description
The Fine Art of Reading was Cecil's inaugural lecture as Goldsmiths' Professor of English Literature at Oxford in 1949; it is also the title of a collection of studies from which the present essay is taken. Like all his other works, the piece combines scholarly attention to detail with accessibility to a general audience. In an engaging manner, Cecil assesses the relative merits of great authors and poets such as Milton, Gray and Shelley, while stressing that the only important distinction is between good and bad art. There are as many different kinds of good book as there are different kinds of good writer. Each has something to give us. We should admire each in so far as he strikes us as good in his particular kind. In order to property appreciate good writing we need to cultivate a point of view from which a work's aesthetic qualities occupy our centre vision. This happens naturally with other art forms such as music, where the appeal is purely aesthetic. Proper reading is an art in itself and David Cecil is the finest of instructors.