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Ästhetik und Gewalt

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  • 186 pages
  • 7 hours of reading

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The relationship of art to physical violence in European cultural history has always been intricate. Aestheticised violence in the fine arts, on the stage or in literature has often been discredited, but at the same time – not least because of the contiguity of violence and sexuality – it is received with pleasure. In a survey of literary examples from antiquity, the Renaissance and modernity, the author begins by elucidating the development in Europe of the troubled relationship between aesthetics and violence. This relationship is then examined from a psychoanaltical angle in two exemplary studies of music. The dual perspective continues with the analyses of contemporary cultural producers (a theatre director, a photographic artist and a film director) together with those of cultural scientists (from theatre studies, art history, and film and media studies). In this way the actual process of aesthetisizing violence on the one hand and theoretical reflections on it on the other become clear.

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Ästhetik und Gewalt, Christoph auf der Horst

Language
Released
2013
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(Hardcover),
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Very Good
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€28.49

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Title
Ästhetik und Gewalt
Language
German
Format
Hardcover
Pages
186
ISBN10
3847101102
ISBN13
9783847101109
Series
Description
The relationship of art to physical violence in European cultural history has always been intricate. Aestheticised violence in the fine arts, on the stage or in literature has often been discredited, but at the same time – not least because of the contiguity of violence and sexuality – it is received with pleasure. In a survey of literary examples from antiquity, the Renaissance and modernity, the author begins by elucidating the development in Europe of the troubled relationship between aesthetics and violence. This relationship is then examined from a psychoanaltical angle in two exemplary studies of music. The dual perspective continues with the analyses of contemporary cultural producers (a theatre director, a photographic artist and a film director) together with those of cultural scientists (from theatre studies, art history, and film and media studies). In this way the actual process of aesthetisizing violence on the one hand and theoretical reflections on it on the other become clear.