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Three generations of a family have profoundly shaped the history of international photography, influencing both its evolution and technical perfection. Edward Weston, the patriarch, became a legendary figure in photography during the early 1920s, creating a sensation with his soft, clay-colored studies that echo the "Photo Secession" movement initiated by Alfred Stieglitz in 1902. His purist approach to capturing bodies, landscapes, and everyday objects emphasizes the beauty of unmanipulated photographs, leaning towards abstraction. Cole Weston, building on his father's legacy, embraced the innovations of color photography, which opened new lighting possibilities and allowed him to forge his own identity beyond Edward's black-and-white aesthetic. He is now recognized as a pioneer in artistic color photography. In contrast, Kim Weston has departed from the family's tradition of objectivity. His staged studio work reflects a surrealist style reminiscent of the 1920s and 1930s. His black-and-white scenarios possess an allegorical quality, critiquing modern society and the relentless pursuit of success, thus serving as a counterpoint to his father's landscape photography.
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Edward Cole Kim Weston, Cole Weston, Thomas Buchsteiner, Kim Weston
- Language
- Released
- 1995
- Binding
- (Hardcover)
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- Title
- Edward Cole Kim Weston
- Subtitle
- Three Generations of American Photography
- Language
- English
- Authors
- Cole Weston, Thomas Buchsteiner, Kim Weston
- Publisher
- Ed. Stemmle
- Released
- 1995
- Format
- Hardcover
- Pages
- 100
- ISBN10
- 3905514400
- ISBN13
- 9783905514407
- Series
- Description
- Three generations of a family have profoundly shaped the history of international photography, influencing both its evolution and technical perfection. Edward Weston, the patriarch, became a legendary figure in photography during the early 1920s, creating a sensation with his soft, clay-colored studies that echo the "Photo Secession" movement initiated by Alfred Stieglitz in 1902. His purist approach to capturing bodies, landscapes, and everyday objects emphasizes the beauty of unmanipulated photographs, leaning towards abstraction. Cole Weston, building on his father's legacy, embraced the innovations of color photography, which opened new lighting possibilities and allowed him to forge his own identity beyond Edward's black-and-white aesthetic. He is now recognized as a pioneer in artistic color photography. In contrast, Kim Weston has departed from the family's tradition of objectivity. His staged studio work reflects a surrealist style reminiscent of the 1920s and 1930s. His black-and-white scenarios possess an allegorical quality, critiquing modern society and the relentless pursuit of success, thus serving as a counterpoint to his father's landscape photography.