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American Photojournalism Comes of Age

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  • 222 pages
  • 8 hours of reading

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In American Photojournalism Comes of Age , Michael L. Carlebach discusses the ways in which photojournalists redefined the boundaries of publicity and privacy, fact and fabrication during the formative decades of the profession. He explains how photographers and editors took advantage not only of more streamlined technologies but also of the public’s faith in the camera’s accuracy to revolutionize and dramatically increase the presentation of visual news. The book describes the unabashed yellow journalism of the competitive Pulitzer and Hearst newspapers, the muckraking efforts of photographers such as Jacob Riis to improve New York City’s slums, World War I censorship so stringent that most “news” photographs were faked, and the rise of both the tabloid and documentary traditions.Illustrated with nearly 150 rarely seen images, this book offers the first in-depth study of a pivotal period in the history of photojournalism, describing the coalescence of a profession that would achieve its fullest expression in the subsequent decade.

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American Photojournalism Comes of Age, Michael L. Carlebach

Language
Released
1997
Binding
(Paperback),
Book condition
Good
Price
€13.49

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Title
American Photojournalism Comes of Age
Language
English
Released
1997
Format
Paperback
Pages
222
ISBN10
1560987863
ISBN13
9781560987864
Series
Description
In American Photojournalism Comes of Age , Michael L. Carlebach discusses the ways in which photojournalists redefined the boundaries of publicity and privacy, fact and fabrication during the formative decades of the profession. He explains how photographers and editors took advantage not only of more streamlined technologies but also of the public’s faith in the camera’s accuracy to revolutionize and dramatically increase the presentation of visual news. The book describes the unabashed yellow journalism of the competitive Pulitzer and Hearst newspapers, the muckraking efforts of photographers such as Jacob Riis to improve New York City’s slums, World War I censorship so stringent that most “news” photographs were faked, and the rise of both the tabloid and documentary traditions.Illustrated with nearly 150 rarely seen images, this book offers the first in-depth study of a pivotal period in the history of photojournalism, describing the coalescence of a profession that would achieve its fullest expression in the subsequent decade.