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Flowers of the Renaissance

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From the sunflower in Van Dyck’s self-portrait to roses in Botticelli’s Venus, flowers are prominent in Renaissance art, yet their symbolism often eludes modern viewers. This book is the first to explore the intricate botanical messages embedded in these masterpieces. Renaissance artists deliberately chose flowers, employing new observational techniques to depict them with remarkable accuracy. The author highlights twenty popular flowers, such as roses, lilies, and poppies, detailing their cultivation history and symbolic meanings. Typically, flowers were not the main subjects but rather integral elements of larger religious narratives. The revival of classical ideals led artists to blend religious symbolism with themes from contemporary romances and mythology. For instance, the hortus conclusus, symbolizing the Virgin Mary, also referenced the popular Romance of the Rose, while Venus, as the goddess of love, was often depicted alongside roses or daisies, paralleling the Virgin Mary. This beautifully illustrated book reveals hidden treasures in various artworks, enhancing the reader's appreciation of the Renaissance's most magnificent creations.

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Flowers of the Renaissance, Celia Fisher

Language
Released
2011
Binding
(Hardcover),
Book condition
Very Good
Price
€25.39

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Title
Flowers of the Renaissance
Language
English
Released
2011
Format
Hardcover
Pages
160
ISBN10
1606060627
ISBN13
9781606060629
Series
Description
From the sunflower in Van Dyck’s self-portrait to roses in Botticelli’s Venus, flowers are prominent in Renaissance art, yet their symbolism often eludes modern viewers. This book is the first to explore the intricate botanical messages embedded in these masterpieces. Renaissance artists deliberately chose flowers, employing new observational techniques to depict them with remarkable accuracy. The author highlights twenty popular flowers, such as roses, lilies, and poppies, detailing their cultivation history and symbolic meanings. Typically, flowers were not the main subjects but rather integral elements of larger religious narratives. The revival of classical ideals led artists to blend religious symbolism with themes from contemporary romances and mythology. For instance, the hortus conclusus, symbolizing the Virgin Mary, also referenced the popular Romance of the Rose, while Venus, as the goddess of love, was often depicted alongside roses or daisies, paralleling the Virgin Mary. This beautifully illustrated book reveals hidden treasures in various artworks, enhancing the reader's appreciation of the Renaissance's most magnificent creations.