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The Medieval Imagination: Beasts

Factual & Fantastic

Parameters

  • 112 pages
  • 4 hours of reading

More about the book

Manuscripts of the middle ages teem with pictures of animals, ranging from fierce hunting hawks tied to their owners' wrists, to proud lions added to the coasts of arms of noblemen, to terrify monsters of the Apocalypse. The images in this volume provide a window onto a time when animals both factual and fantastic played a leading role in the medieval imagination. series of small, affordable books that will draw on manuscript illuminations from the Middle Ages and early Renaissance. Each volume will focus on a particular theme or subject as represented by medieval artists. Often, as in the case of the imaginary beasts that readers will encounter in this volume, artists depicted that which they did not see or know, but which was nonetheless shaped by the prevailing beliefs, fears, and rudimentary science of the time. In other cases, manuscript illuminators recorded what they indeed did see - which, centuries later, reveals much about the world in which they lived.

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The Medieval Imagination: Beasts, Elizabeth Morrison

Language
Released
2007
Binding
(Hardcover),
Book condition
Very Good
Price
€55.99

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Title
The Medieval Imagination: Beasts
Subtitle
Factual & Fantastic
Language
English
Released
2007
Format
Hardcover
Pages
112
ISBN10
071234991X
ISBN13
9780712349918
Series
Description
Manuscripts of the middle ages teem with pictures of animals, ranging from fierce hunting hawks tied to their owners' wrists, to proud lions added to the coasts of arms of noblemen, to terrify monsters of the Apocalypse. The images in this volume provide a window onto a time when animals both factual and fantastic played a leading role in the medieval imagination. series of small, affordable books that will draw on manuscript illuminations from the Middle Ages and early Renaissance. Each volume will focus on a particular theme or subject as represented by medieval artists. Often, as in the case of the imaginary beasts that readers will encounter in this volume, artists depicted that which they did not see or know, but which was nonetheless shaped by the prevailing beliefs, fears, and rudimentary science of the time. In other cases, manuscript illuminators recorded what they indeed did see - which, centuries later, reveals much about the world in which they lived.