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British Glass 1800-1914

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During the nineteenth century major European glassmaking centres exerted strong influences on British glassmakers. The reaction of Bohemian glassmakers to Regency cut glass led to the development of coloured glassware which was immediately copied in turn by English glassmakers and exhibited in all its glory at the Crystal Palace Exhibition of 1851. In the second half of the century the great glassmaking tradition of Venice influenced important glassmakers of the calibre of Apsley Pellatt, John Northwood and Harry Powell. The prosperity of Victorian England attracted Bohemian engravers, French enamellers and gilders who played a vital role in establishing this period of manufacture as the Golden Age of glassmaking. This major publication has established itself as the standard work on nineteenth century British glass. In addition to cut, engraved, cameo and etched glass, the information on personalities, working conditions and the operations of the glasshouse gives the collector an all-round view of

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British Glass 1800-1914, Charles R. Hajdamach

Language
Released
1991
Binding
(Hardcover),
Book condition
Good
Price
€18.99

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Title
British Glass 1800-1914
Language
English
Released
1991
Format
Hardcover
Pages
466
ISBN10
1851491414
ISBN13
9781851491414
Series
Description
During the nineteenth century major European glassmaking centres exerted strong influences on British glassmakers. The reaction of Bohemian glassmakers to Regency cut glass led to the development of coloured glassware which was immediately copied in turn by English glassmakers and exhibited in all its glory at the Crystal Palace Exhibition of 1851. In the second half of the century the great glassmaking tradition of Venice influenced important glassmakers of the calibre of Apsley Pellatt, John Northwood and Harry Powell. The prosperity of Victorian England attracted Bohemian engravers, French enamellers and gilders who played a vital role in establishing this period of manufacture as the Golden Age of glassmaking. This major publication has established itself as the standard work on nineteenth century British glass. In addition to cut, engraved, cameo and etched glass, the information on personalities, working conditions and the operations of the glasshouse gives the collector an all-round view of