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Józef Czapski

An Apprenticeship of Looking

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  • 272 pages
  • 10 hours of reading

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This thoughtful and engaging monograph finally gives a remarkable artist who bore witness to the twentieth century his due. “Mr. Karpeles, a California-based painter and art critic, has ignited international interest in Czapski’s artwork.” —Wall Street Journal This stunning monograph, a long-overdue critical appraisal of Polish artist Jo´zef Czapski arrives at a moment when the artist’s legacy is gaining new recognition. Within these pages, author Eric Karpeles conveys how making art was so enmeshed with Czapski’s way of seeing and being in the world that it was second nature. Given that he lived into his ninety-seventh year, it’s no surprise that the artist has works dating from every decade of the twentieth century but the first. As witness to the tumultuous events of that century, he found in painting “a refuge and a salvation.” Prolific as a painter, he was equally disciplined in recording the events of his life in pencil, ink, and watercolor in his journals. At a time when abstract art tended to dominate aesthetic discourse, he preferred to observe the world around him, to portray people going about their daily business. Some of his most compelling works depict theatergoers and art lovers doing what they do best—looking.

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Józef Czapski, Eric Karpeles, Wojciech Karpiski

Language
Released
2019
Binding
(Hardcover)
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Title
Józef Czapski
Subtitle
An Apprenticeship of Looking
Language
English
Released
2019
Format
Hardcover
Pages
272
ISBN10
0500023042
ISBN13
9780500023044
Series
Categories
Description
This thoughtful and engaging monograph finally gives a remarkable artist who bore witness to the twentieth century his due. “Mr. Karpeles, a California-based painter and art critic, has ignited international interest in Czapski’s artwork.” —Wall Street Journal This stunning monograph, a long-overdue critical appraisal of Polish artist Jo´zef Czapski arrives at a moment when the artist’s legacy is gaining new recognition. Within these pages, author Eric Karpeles conveys how making art was so enmeshed with Czapski’s way of seeing and being in the world that it was second nature. Given that he lived into his ninety-seventh year, it’s no surprise that the artist has works dating from every decade of the twentieth century but the first. As witness to the tumultuous events of that century, he found in painting “a refuge and a salvation.” Prolific as a painter, he was equally disciplined in recording the events of his life in pencil, ink, and watercolor in his journals. At a time when abstract art tended to dominate aesthetic discourse, he preferred to observe the world around him, to portray people going about their daily business. Some of his most compelling works depict theatergoers and art lovers doing what they do best—looking.