In this hilarious and wildly inventive novel, Chris Bachelder resurrects Upton Sinclair to explore our modern world. The story follows the serial resurrection and assassination of the relentless muckraker, brought back by beleaguered leftists who chant "Hope and Shovels Forever." Each time, he is gunned down (and even harpooned) by those pursuing fame and the status quo. As Sinclair becomes increasingly politically and culturally irrelevant, he continues to write his embarrassingly bad muckraking novels and risks his life for a Socialist revolution that remains just out of reach. Bachelder captures the decline of the American Left alongside the violent hysteria of the Right through a variety of forms, including stories, songs, letters, journal entries, and articles. The second part of the novel features a fast-paced narrative that unites the diverse characters in a climactic encounter. This dazzling mix of humor and insight not only delves into American politics and culture but also examines the challenges and potential of political art. Its release coincides with the centennial of Sinclair's renowned novel about the meat industry, adding an extra layer of significance to this inventive work.
Chris Bachelder Books
Chris Helder is recognized globally as a leading voice on communication, leadership, and influence. His work delves into the nuances of human interaction, exploring how to effectively persuade and inspire others. Helder's insights offer valuable guidance for anyone seeking to enhance their leadership capabilities and achieve greater success in both personal and professional spheres. His approach is decidedly practical, focusing on tangible outcomes and actionable strategies.



U.S!
- 320 pages
- 12 hours of reading
US! is a playful, darkly comic novel that imagines the serial resurrection and assassination of tireless muckraker and writer Upton Sinclair. In Chris Bachelder's wonderful world, Sinclair is repeatedly brought back to life by beleaguered but optimistic leftists (whose refrain is 'Hope and Shovels Forever'), and then gunned down (and once harpooned) by those seeking fame, fortune and American business as usual. As he grows more and more politically and culturally insignificant, Sinclair keeps writing his embarrassingly bad muckraking novels and continues risking his life for the Socialist revolution, which is perpetually just around the corner. Through stories, songs, letters, journal entries, book reviews, memos, a syllabus, newspaper and magazine articles, Internet auctions, transcripts of talk shows, interviews and toll-free hotlines, Bachelder documents the demise (but dogged faith) of the American Left, as well as the violence and hysteria of the Right. U.S.!is not only a satire of American politics and culture, but an exploration of the possibilities and problems of political art.
Bär gegen Hai
- 318 pages
- 12 hours of reading
Gesetzt den Fall, man hätte ein faires Kampfszenario, das Wasser so tief, um einem Hai ungehinderte Bewegungsfreiheit zu gewähren, aber seicht genug, damit ein Bär darin stehen und kämpfen könnte, wer würde dieses Duell zwischen Bär und Hai gewinnen? Diese Frage bewegt die ganze amerikanische Nation. Der Kampf, eine Computeranimation die echter wirkt als die Realität, wird in Las Vegas stattfinden und Millionen werden ihn gebannt am Bildschirm verfolgen. Wenige Auserwählte haben sogar Karten für die Arena ergattert, und unter diesen Glücklichen sind auch die Normans, eine amerikanische Durchschnittsfamilie: Vater Norman, Mutter Norman sowie die beiden Söhne Curtis und Matthew. Gemeinsam machen sie sich auf den Weg nach Las Vegas, begleitet von Stimmen aus Radio und Fernsehen, von Kameras sowie von Kommentaren aus allen kulturellen Nischen: Freudianer, Theologen, Bär-gegen-Hai-Fans, einsame Folksänger, Untergrundorganisationen. Sie alle haben etwas zu dem bevorstehenden Großereignis zu sagen. Es ist das bunte Rauschen einer Medienkultur, die keinen höheren Wert als das Entertainment kennt. So lehnen sich auch die Normans schließlich auf ihrem Platz zurück und warten darauf, dass das Spektakel beginnt.