'Hamid Zénati. All-Over' is a richly illustrated monograph dedicated to the vibrant oeuvre of the artist Hamid Zénati (b. 1944 Constantine, Algeria; d. 2022 Munich, Germany).Travelling between Munich and Algiers, Zénati's artistic practice ranged from painting and textiles to interior and fashion design to photography, always driven by an anarchic impetus to create.This first monograph on the artist features textile works from a five decade-long career and provides insight into the artist's distinct cosmos for the first time.The publication encompasses diverse perspectives by leading thinkers on art and culture.With contributions by Wassila Bedjaoui, Andrea Lissoni, Natasha Marie Llorens, Chus Martínez, Duro Olowu, and Anna Schneider.Published on occasion of the exhibition 'Hamid Zénati. All-Over', 13 Mar - 23 Jul 2023, Haus der Kunst, Munich.This was the first institutional exhibition dedicated to the artist's work.English with a German supplement.
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- 2023
- 2023
This publication charts the Haus der Kunst München exhibition 'Trace--Formations of Likeness.', drawn exclusively from The Walther Collection.The exhibition explores portrait photography and the tracing of societal transformation across geographic spaces as well as contrasting socio-political and cultural landscapes.Portrait photography has been deployed as a means to shape identity, to advocate for social change, and as a subversive strategy for visibility, often through an intimate investigation of the politics of memory, history, and embodiment.This book encompasses works from the last two hundred years and brings together artists from Africa, the Americas, Europe, and Asia.The juxtaposition of archival, documentary, and vernacular photography offers a global context to reflect on the divergent trajectories of historical and contemporary photography today.Collectively, these works showcase the medium's capacity as both an instrument for empowerment and a formation of the self, as well as its complex uses as a tool for control and subjugation.Features an essay by British curator and cultural historian Mark Sealy.Artists include: anonymous artists and Ai Weiwei, Jane Alexander, Dieter Appelt, Richard Avedon, Martina Bacigalupo, Sammy Baloji, Yto Barrada, Bernd & Hilla Becher, Jodi Bieber, Karl Blossfeldt, Candice Breitz, Cang Xin, Edson Chagas, Kudzanai Chiurai, Mitch Epstein, Em'kal Eyongakpa, and others.
- 2021
Edited by Anna Schneider, with contributions by Elsbeth Court, Imraan Coovadia, Anna Schneider and Dimona Stöckle; and a conversation between Michael Armitage and Don Handa"Paradise Edict" highlights pivotal series by the painter Michael Armitage and positions his body of work within East African painting and sculpture of the 20th century. His wide array of subject matter ranges from the relationship between humans and animals, and political events in his native Kenya, to European landscape traditions in opposition to an East African understanding of nature. With large-format oil paintings on lubugo bark cloth, the British-Kenyan painter joins motifs and artistic traditions from Europe and East Africa in a variety of ways, upsetting visual stereotypes and an excepted balance of power in the process.
- 2021
Theaster Gates. Black Chapel
Ausst. Kat. Haus der Kunst München, 2019-2020
- 176 pages
- 7 hours of reading
Theaster Gates confronts German and American legacies of racism through the life of Jesse Owens Guided by the forms of solidarity found within Black communities, American artist Theaster Gates (born 1973) creates visionary installations that transform public spaces into places of artistic and cultural intervention. In Black Chapel , Gates explores recent German and American history through the life of the great African American athlete Jesse Owens. In this expansive exhibition, Gates responds directly to the architecture of Haus der Kunst’s massive Middle Hall, exposing it to a complex and politically charged narrative. Alongside Owens’ complete and fully illustrated record collection being made available for the first time, the exhibition consists of several large pavilions containing sculptures, photographs and documents, as well as huge illuminated rotating panels displaying photographs from the archives of Ebony and Jet , two magazines that contributed significantly to the dissemination of Black culture in the United States. This interplay of sculpture and photography interrogates Black history, spirituality and representation, and recasts them visually.
- 2018
Blind Faith
- 208 pages
- 8 hours of reading
Wahrheit, Wissen und Fiktion An Stelle des Vertrauens in harte Tatsachen scheint in den heutigen Gesellschaften zunehmend ein blinder Glaube zu treten. Die Gegenwartskunst reagiert auf diese Tendenz, indem sie sich intensiv mit Körper und Geist beschäftigt. Die Publikation versammelt 28 internationale junge Künstler, die sich mit Konzepten von Subjektivität, Wahrheit, Wahrhaftigkeit, Intuition und Glauben unter Verwendung unterschiedlichster Mittel und Medien auseinandersetzen: Ed Atkins, Kader Attia, Olga Balema, Melanie Bonajo, Mariechen Danz, Cécile B. Evans, Andrea Andrea Éva Györi, Benedikt Hipp, Nicholas Hlobo, Marguerite Humeau, KAYA, Hanne Lippard, Wangechi Mutu, Otobong Nkanga, Naufus Ramírez-Figueroa, Jon Rafman, Mary Reid Kelley, Lili Reynaud-Dewar, Raphael Sbrzesny, Jeremy Shaw, Teresa Solar Abboud, Jol Thomson und David Zink Yi.
- 2017
Oscar Murillo
- 282 pages
- 10 hours of reading
Oscar Murillo’s work is showcased through a compelling collection of paintings, installations, and video art, highlighting his status as a prominent contemporary artist. This volume, created for his 2017 solo exhibition at Haus der Kunst in Munich, offers a comprehensive overview of his diverse artistic practice, revealing the depth and breadth of his career up to that point.
- 2016
Handling the clash between production & consumption
A situated view on front-line service workers' competencies in interactive service
The majority of the workforce is currently employed in the service industry where many employees are involved in daily face-to-face service interactions with customers. At the same time, these direct customer interactions are increasingly put under pressure for example, in traditional retailing by alternative distribution channels. Nevertheless, whenever an essential part of a business-model’s value-creation process builds on interactive service work, both front-line service workers and customers are forced to mutually work together in service interactions. The present study shows the tensions front-line service workers face between demands for cost-efficiency on the one hand and customer service on the other. Although these two rationalities do not necessarily contradict each other on an organizational level, individual front-line service workers face these contradictions in the form of challenging tensions in every day interactions with customers. Building on rich and comprehensive observational and interview data from the retail sales floor, the interpretive research approach allows the analysis of the challenges of interactive service work and carves out the corresponding competencies to handle the clash between production and consumption which manifest in service interactions. Drawing on Convention Theory (“Économie des conventions”), the situation as unit of analysis becomes center stage. Convention Theory shows that not only are individual characteristics such as friendliness important for successful service interactions, but especially the competent interplay between individual resources and organizational settings within the situation of interaction is essential. The results shed new light on individuals’ contributions to successful service interactions and contributes to a more fine-grained picture of the challenges and competencies in interactive service work.
- 2015
Zborník príspevkov z medzinárodnej vedeckej konferencie Ústavu etiky Vysokej školy Danubius a Inštitútu aplikovanej etiky profesora Alexandra Spesza pri Teologickej fakulte Katolíckej univerzity Ružomberok v Košiciach, konaná dňa 9.4.2015
- 2015
Zborník príspevkov z medzinárodnej vedeckej konferencie, ktorá sa konala v dňoch 29.-30. septembra 2015. Zborník je delený do troch sekcií – Problematika ukončenia 2. svetovej vojny v historickom kontexte, Vojna ako extrémna forma riešenia medzinárodných vzťahov a Problémy globalizácie sveta.
- 2014
Centurion Part Two In Detail
- 108 pages
- 4 hours of reading
Tato monografie, plná kvalitních fotografií a technických detailů, je především určena obdivovatelům vojenské techniky, sběratelům a modelářům.