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April Chen faces a conflict between her aspirations for college and her responsibilities to her family, particularly her grandmother, who disapproves of her boyfriend, Steve. As the only girl in her family, April grapples with the expectations placed upon her while yearning for independence. This struggle prompts her to seek a path that allows her to define her identity on her own terms, highlighting themes of familial duty, personal growth, and the quest for self-discovery.

FIONA CHENG IS half and half: Her father is Chinese and her mother is Scottish. Fiona looks more like her father than her mother, so people always expect her to be more interested in her Chinese half than her Scottish half. Lately even Fiona’s confused about who she really is.“A realistic, gentle and funny tale.”— Detroit News & Free Press“Readers will identify with Fiona’s struggle to fit in.”— Publishers Weekly

Third Sister in the Tao family, Ailin has watched her two older sisters go through the painful process of having their feet bound. In China in 1911, all the women of good families follow this ancient tradition. But Ailin loves to run away from her governess and play games with her male cousins. Knowing she will never run again once her feet are bound, Ailin rebels and refuses to follow this torturous tradition. As a result, however, the family of her intended husband breaks their marriage agreement. And as she enters adolescence, Ailin finds that her family is no longer willing to support her. Chinese society leaves few options for a single woman of good family, but with a bold conviction and an indomitable spirit, Ailin is determined to forge her own destiny. Her story is a tribute to all those women whose courage created new options for the generations who came after them.

The house lights dim. The curtain begins to rise... ...on ten original one-act plays by some of today's best writers of young adult fiction; Some of the plays are funny, some serious; all offer special insights into the problems and triumphs of teenagers;

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