Nella Larsen Book order (chronological)

Two novels of 1920s Harlem describe Helga Crane's search for freedom and personal expression, and Irene's friendship with Clare, who attempts to pass for white.

2011 Reprint of 1928 Edition not reproduced with Optical Recognition Software. Nella Larsen's first novel tells the story of Helga Crane, a fictional character loosely based on Larsen's own early life. Crane is the lovely and refined daughter of a Danish mother and a West Indian black father who abandons Helga and her mother soon after Helga is born. Unable to feel comfortable with any of her white-skinned relatives, Helga lives in various places in America and visits Denmark in search of people among whom she feels at home. The work is a superb psychological study of a complicated and appealing woman, Helga Crane, who, like Larsen herself, is the product of a liaison between a black man and a white woman. In one sense, Quicksand might be called an odyssey; however, instead of overcoming a series of obstacles and finally arriving at her native land, Larsen's protagonist has a series of adventures, each of which ends in disappointment.

2011 Reprint of 1928 Edition not reproduced with Optical Recognition Software. Clare and Irene were two childhood friends. They lost touch when Clare's father died and she moved in with two white aunts. By hiding that Clare was part-black, they allowed her to 'pass' as a white woman and marry a white racist. Irene lives in Harlem, commits herself to racial uplift, and marries a black doctor. The novel centers on the meeting of the two childhood friends later in life, and the unfolding of events as each woman is fascinated and seduced by the other's daring lifestyle. The end of the novel is famous for its ambiguity. Many see this novel as an example of the plot of the tragic mulatto, a common figure in early African-American literature. Recently, Passing has received renewed attention because of its close examination of racial and sexual ambiguities and liminal spaces. It has achieved canonical status in many American universities.

A light-skinned beauty who spends years passing for white finds herself dangerously drawn to an old friend's Harlem neighborhood. A restless young mulatto tries desperately to find a comfortable place in a world in which she sees herself as a perpetual outsider. A mother's confrontation with tragedy tests her loyalty to her race.The gifted Harlem Renaissance writer Nella Larsen wrote compelling dramas about the black middle class that featured sensitive, spirited heroines struggling to find a place where they belonged. Passing, Larsen's best-known work, is a disturbing story about the unraveling lives of two childhood friends, one of whom turns her back on her past and marries a white bigot. Just as disquieting is the portrait in Quicksand of Helga Crane, half black and half white, who can't escape her loneliness no matter where and with whom she lives. Race and marriage offer few securities her or in the other stories in a collection that is compellingly readable, rich in psychological complexity, and imbued with a sense of place that brings Harlem vibrantly to life.