Carolee Schneemann was a multidisciplinary artist whose work spanned painting, photography, film, video, performance, and installation art. Her art was characterized by a profound exploration of the body, sexuality, and the perception of women within art. Schneemann frequently employed her own body as a medium to disrupt traditional views and challenge patriarchal structures. Her innovative approach to art-making and her bold examination of eroticism and female subjectivity have left an indelible mark on contemporary art.
Since the beginning of her career in Belgrade during the early 1970s, Marina Abramovic has pioneered the use of performance as a visual art form. This monograph offers a fresh take on an artist whose work is key to the latest developments in contemporary art.
Enth. u. a.: S. 74: Concrete art (1936-49) / Max Bill. - S. 74-77: The mathematical approach in contemporary art (1949) / Max Bill. - S. 301-304: Dieter Roth.