A never-before-told account of the infamous relationship between the notorious British spy and Soviet agent Harold "Kim" Philby and the CIA's Associate Director of Operations for Counter Intelligence, James Jesus Angleton. Readers will be drawn into the plot and story line of this historical thriller and real-life spy story. It's an exciting and fast-paced retelling that promises to shine a light on this major moment in the Cold War. Readers are invited to draw their own conclusions about the events revealed in this book.
A detailed look at UK-US intelligence through a personal lens based on
workinguniquely for UK intelligence as a British citizen and US intelligence
as a US citizen.
Embodied performance in South Africa has particular potency because apartheid
was so centrally focused on the body. The majority of artists analysed here
are people of colour. As the artists imagine new forms, they are helping
audiences see the contemporary moment as it is: an important intervention in a
country long predicated on denial.
South Africa's Truth and Reconciliation Commissions helped to end apartheid by providing a forum that exposed the nation's gross human rights abuses, provided amnesty and reparations to selected individuals, and eventually promoted national unity and healing. The success or failure of these commissions has been widely debated, but this is the first book to view the truth commission as public ritual and national theater. Catherine M. Cole brings an ethnographer's ear, a stage director's eye, and a historian's judgment to understand the vocabulary and practices of theater that mattered to the South Africans who participated in the reconciliation process. Cole looks closely at the record of the commissions, and sees their tortured expressiveness as a medium for performing evidence and truth to legitimize a new South Africa.
Gianlorenzo Bernini was the greatest sculptor of the Baroque period. Published to coincide with a major exhibition at the J Paul Getty Museum in 2008, this title presents a study that features drawings and paintings by Bernini and his contemporaries that demonstrates their unrivalled range, skill, and acuity.
J. Paul Getty had a passion for the exquisitely made furniture and decorative objects of eighteenth-century France, which he began collecting in the 1930s. Gillian Wilson, curator of decorative arts since 1971, has broadened and strengthened the collection, adding Boulle furniture, mounted oriental porcelain, tapestries, clocks, ceramics, and more. In the 1980s and 1990s the Museum continued to enlarge its decorative arts holdings, creating a European sculpture department in 1984 and adding glass, maiolica, goldsmiths' work, pietre dure, and furniture from Italy and Northern Europe. This book is a revised and expanded edition of Decorative Arts: An Illustrated Summary Catalogue of the Collection of the J. Paul Getty Museum (1993). In addition to more than forty recent acquisitions--among these four wall sconces from Versailles that once belonged to Marie Antoinette and an elaborate upholstered bed from the collection of Karl Lagerfeld--it includes the results of years of research. Designed for scholars, students, and devotees of the decorative arts, this volume provides a comprehensive look at the Getty's fine collection.
This beautifully illustrated volume presents sixty-eight objects from one of the world's finest collections of post-classical glass--including such marvels as glass imitating rock-crystal and other semi-precious stones, glass formed into large and intricate shapes, and glass decorated withengraving, enameling, gilding, and carving. Each object is painstakingly described and a series of essays provide a wealth of background information.
