In the face of disapproval and repression Soviet hippies created a version of Western counterculture, skilfully adapting to, manipulating, and shaping their late socialist environment. Flowers through Concrete explores their lives, thoughts, and political sway.
This multidisciplinary collection of essays examines alternative subcultures in Eastern Europe and the Soviet Union during the era of late socialism. The contributors analyze how these marginal communities rejected mainstream socialist culture, sought ideological and physical space from the state, and contributed to the demise of the USSR.