A. D. Miller delves into the complexities of moral degradation, friendship, and remorse in his fiction. His prose offers a penetrating exploration of the human psyche, often set against backdrops that mirror his characters' internal struggles. Miller's writing is both precise and evocative, providing readers with a profound and resonant literary experience. He offers sharp, thought-provoking observations on society and the human condition.
In Second Time Around, D. A. Miller seizes the opportunity of DVDs and streaming media; across thirteen essays, he watches digitally restored films by directors from Mizoguchi to Pasolini and from Hitchcock to Honda, looking to find not only what he first saw in them but also what he was then kept from seeing.
A complex, contemporary political thriller from the bestselling author of Booker-shortlisted Snowdrops Twelve years ago, Simon Davey prevented a tragedy, and ruined his own life. Once a senior British diplomat in Kiev, he lost everything after a lurid scandal. Back in London, still struggling with the aftermath of his disgrace, he is travelling on the Tube when he sees her … Olesya is the woman Simon holds responsible for his downfall. He first met her on an icy night during the protests on Independence Square. Full of hope and idealism, Olesya could not know what a crucial role she would play in the dangerous times ahead, and in Simon’s fate. Or what compromises she would have to make to protect her family. When Simon decides to follow Olesya, he finds himself plunged back into the dramatic days which changed his life forever. Independence Square is a story of ordinary people caught up in extraordinary times. It is a story about corruption and personal and political betrayals. It is a story about where, in the twenty-first century, power really lies. 'A tremendous novel - taut, compelling, reeking of authenticity. A.D. Miller writes with exemplary precision and sophistication. Independence Square is an unsparing examination of human beings caught up in historical forces they can barely comprehend.' William Boyd
Hidden Hitchcock is two things: a book about the hidden poetics of the master of suspense, Alfred Hitchcock, and a confession by Miller as he finds himself lured into Hitchcock s ineffable web. Technology has helped Miller pinpoint a secretand bafflingfilm recessed alongside the easily identifiable habits of Hitchcock s trademark suspense. These are the Hidden Pictures that Miller has unearthed. In exploring Hitch s latent vision, Miller has many discoveries to sharenon-narrative microstructures that he points out for the first time: the second Hitchcock cameo (not the one we are trained to spot), the verbal-to-visual charade, the faux continuity error, to name a few. Their general purpose seems to insinuate a game of hide-and-seek that, until the viewer finds one of these Hidden Pictures, s/he may never know is in play. Through Hitchcock s hidden style, we confront a resistance to meaning so deep-seated that it seems less a project than a compulsion (a psychic drive); and so anti-social that to redeem it by assigning it a point risks missing the point."
Federico Fellini's masterpiece 8 1/2 (Otto e mezzo) shocked audiences around the world when it was released in 1963 by its sheer auteurist gall. číst celé