Philip Massinger Books

Excerpt from The Roman Actor: A Tragedie, as It Hath Divers Times Beene, With Good Allowance Acted, at the Private Play-House in the Black-Friers, by the Kings Majesties ServantsWith admiration heerebcheld him fall And yet out-litre his tragique Funerall For tis a quefiion Whether Caz/kw glorie Roi: to its heighth before, or in this Storie. Or whether Park in fdommam fattour Were there exaltedfihen in thisthy labour. Each line (peakes him an Emperour, e townes thy deferuing temples with.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This remarkable 51-volume collection features seminal writings from literature, philosophy, history, and mythology, curated by Charles William Eliot, Harvard's longest-serving president. Known as "Dr. Eliot's Five Foot Shelf," it embodies his vision that a comprehensive liberal education can be achieved through a carefully selected anthology. Originally published between 1909 and 1917, it remains a significant resource for those seeking to explore foundational texts that have shaped human thought and culture.

The life of Philip Massinger is marked by his struggle for financial stability as a playwright in London after leaving Oxford without a degree. Following the death of his father and the loss of financial support, he faced hardships while writing for the Elizabethan stage. His collaboration with Philip Henslowe and later with John Fletcher for the King's Men defined his career. Despite moments of poverty and uncertainty, he continued to produce plays until his sudden death in 1640, leaving a legacy intertwined with the theatrical landscape of his time.

The life of Philip Massinger, a 17th-century playwright, is marked by early struggles following the death of his father, which left him financially vulnerable. Despite his education at Oxford, he faced hardships in London as he sought to establish himself in the theatre world. Collaborating with figures like Thomas Dekker and later John Fletcher, he produced notable works for the King's Men. His later years reflect ongoing poverty and concern over his reputation, culminating in his untimely death near the Globe Theatre in 1640, where he was buried as a "stranger."

Enter the world of Philip Massinger with this remarkable collection of his most celebrated plays. From the farcical to the tragic, these works display the wit, humor, and depth that have made him one of the most beloved playwrights of the English Renaissance. Featuring insightful introductions and critical commentary from John Ferriar, this book is a must-have for anyone interested in the art of drama.

'The Elder Brother' is a comedic play by John Fletcher and Philip Massinger, originally printed in 1637. This edition includes abridgements by William Henry Draper, making it suitable for use in school and college productions. Full of humor and wit, this play is sure to delight audiences of all ages.

This edition of the plays of Philip Massinger includes three of his most famous works, The Virgin-Martyr, The Unnatural Combat, and The Duke of Milan, as well as an introduction and essay by John Ferriar that provides a critical analysis of Massinger's writing and his place in the literary canon. These plays, written in the 17th century, are examples of some of the best work from the Jacobean and Caroline eras of English drama.

The biography details the life of Philip Massinger, a playwright who faced significant challenges after leaving Oxford without a degree in 1606. Following his father's death and financial struggles, he moved to London to pursue a career in drama, eventually collaborating with notable figures like Thomas Dekker and John Fletcher. His works, including The Virgin Martyr and The Maid of Honour, reflect his ongoing poverty and dependence on patrons. Massinger's later years involved writing for the King's Men, and he passed away in 1640, buried as a "stranger" in Southwark.