Craig Calhoun, Dilip Gaonkar, and Charles Taylor argue that democracies have embraced individual freedom at the expense of equality and solidarity, economic growth at the expense of democracy. Rebuilding local communities and large-scale institutions is now crucial, with attention to the public good beyond private advantage or ingroup loyalty.
Midair is a true account of one of the most remarkable tales of survival in the history of aviation - a midair collision at 30,000 feet by two bomb-laden B-52s over a category 5 super typhoon above the South China Sea during the outset of the Vietnam War - and the subsequent story of what happened to the surviving pilot when he bailed out in the middle of the typhoon.
Trust Based Observations teaches observers to build trusting relationships with teachers as they engage in frequent observations and reflective conversations with them. Using the manageable observation form and data driven goal setting, the result is teachers embrace risk-taking and take growth steps necessary for significant teaching improvement.
While in-depth cultural histories have been devoted to such classic horror monsters as the vampire, the zombie and Frankenstein's tragic creature, the cinematic werewolf has long been considered little more than the 'beast within': a psychoanalytic analogue for the bestial side of man. This book, the first scholarly study of the werewolf in cinema, redresses the balance by exploring over one hundred years of werewolf films - from The Werewolf (1913) to WolfCop (2014) via The Wolf Man (1941) and An American Werewolf in London (1981) - to reveal the cultural significance of she-wolves and wolf-men as evolving metaphors for the cultural fears and anxieties of their times. In doing so, it illustrates how we can begin to understand one of our oldest mythical monsters as a rich and diverse cultural metaphor.
Jurgen Habermas is among the most influential and important social theorists in the world today. * This volume represents the first sustained engagement with Habermas's recent turn to religion as a focus of philosophical inquiry.
We want neither gods nor emperors, went the words from the Chinese version of The Internationale. Students sang the old socialist song as they gathered in Beijing's Tiananmen Square in the Spring of 1989. This book offers a carefully crafted analysis of the student movement, its leadership, its eventual suppression, and its continuing legacy.