Exploring the intricate relationship between theater and worship, this book delves into the cultural complexities surrounding the Church Fathers' critiques of Roman theater and the evolution of Western liturgical drama. It posits that theater served as a form of worship, inviting participation in the reenactment of cosmogonic myths. By presenting a comprehensive panorama of these themes, the author argues that the origins of Christian theater are deeply rooted in the same mimetic traditions that have existed throughout history.
