This long-time best-seller is now available with a score and newly edited by Lynne Latham. These are great for gigs and intermediate chamber music experiences for students. This volume has more complicated rhythms. [replaces M1723 #4-5]
The key has been transposed to G minor for better accessibility and the percussion parts have been retained. This will be a fabulous addition to the string orchestra program.
Instrumentation: String Quintet (flexible, violin, viola, cello, bass) Finally, a flexible quintet that is playable by high school students. In the key of F, with nothing above third position for upper strings, this four movement work will be sure to provide lots of mileage. Performance options include adding a flute or oboe on top or working on Baroque performance style. Instrumentation is set for Violin 1, Violin 2, Violin 3 or Viola 1, Viola 2 or Cello 1, and Cello 2 or Bass.
The title is truth in advertising: this is about learning to cross strings as well as skipping fingers and developing proper hand position and finger independence. Some enjoyable knocking and other sounds give students the opportunity to have a little say
Instrumentation: Violin 1, Violin 2, Viola, Cello Bach's famous "Brandenburg Concertos" are considered by many to be the pinnacle of the Baroque Concerto Grosso style. These arrangements of the "Brandenburgs" for string quartet by Lynne Latham have become much-used by professionals and students alike.
Collection of medium easy trios for trombone. Third part requires F attachment.
In this second volume of perennial wedding favorites, we are proud to offer selections to expand your repertoire and enhance these celebratory occasions. Violinists must be comfortable playing through fifth position, and the piano accompaniment is moderately difficult.
This long-time best-seller is now available with a score and newly edited by Lynne Latham. These are great for gigs and intermediate chamber music experiences for students. This volume has more complicated rhythms. [replaces M1723 #1-3]
Includes works by Bach, Handel, Telemann. Both parts to third position. Compatible with 52711028 (Violin Duets) and 52701111 (Violin/Cello Duets).
This collection is the ideal solution for planning wedding music when you don't have the players for a full string trio or quartet. For Violin I and another player, these beautiful duets make the most of the various string pairings.
Violin and Cello Fresh duets in a variety of styles and musical periods for your high school students or the perfect addition to any concert (especially encores). Composers included: Liadov, Pergolesi, Chaminade, Ibert, J.S. Bach, and Handel.
Instrumentation: Violin 1, Violin 2, Viola, Cello Bach's famous "Brandenburg Concertos" are considered by many to be the pinnacle of the Baroque Concerto Grosso style. These arrangements of the "Brandenburgs" for string quartet by Lynne Latham have become much-used by professionals and students alike.
Bach, Mozart, & Brahms. Cello I advanced intermediate (tenor and treble clef), mixed level ensemble.
This work is all about learning bow control and the transition from arco to pizzicato...and just a little about counting. The title speaks for itself!
Rehearsal recommended. Contents: O Come, Emmanuel, 2 Burgundian Carol Tunes, First Noel, Fantasie Joyeuse, Lo, How a Rose, God Rest Ye Merry, Gentlemen
Instrumentation: String Quintet (flexible, violin, viola, cello, bass) Finally, a flexible quintet that is playable by high school students. In the key of F, with nothing above third position for upper strings, this four movement work will be sure to provide lots of mileage. Performance options include adding a flute or oboe on top or working on Baroque performance style. Instrumentation is set for Violin 1, Violin 2, Violin 3 or Viola 1, Viola 2 or Cello 1, and Cello 2 or Bass.
Chromatic passages, basic shifting, and a variety of rhythmic patterns make for a challenging romp through one of Tchaikovsky's most-loved symphonic works.
Instrumentation: Cello Trio Cello I requires some tenor clef.
A new edition with corrected notes and bowing that work and even a full score. This work is an energetic romp for string quartet.
Collection contains 8 Mendelssohn songs. All bass clef to 4th position.
Sonatas 5 and 6 with part 2 written out (includes a score for use in adjudicated events). Now playable as a mixed duet, with viola or cello. Violin and Viola parts are Grade 3, Cello part, Grade 4.
Instrumentation: Violin 1, Violin 2, Viola, Cello
Range limited to 4th position, all parts equal, all bass clef.
Instrumentation: Violin 1, Violin 2, Viola, Cello Bach's famous Brandenburg Concertos are considered by many to be the pinnacle of the Baroque Concerto Grosso style. These arrangements of the Brandenburgs for string quartet by Lynne Latham have become much-used by professionals and students alike.
Instrumentation: Violin 1, Viola and Violincello New edition edited by Lynne Latham and Clark McAlister. These classics now have full scores, endings that match, consistent articulations and are bowed, making them perfect additions to contest lists and concert repertoire.
This long-time best-seller is now available with a score and newly edited by Lynne Latham. These are great for gigs and intermediate chamber music experiences for students. This volume has more complicated rhythms. [replaces M1723 #4-5]
New edition edited by Lynne Latham and Clark McAlister. These classics now have full scores, endings that match, consistent articulations and are bowed, making them perfect additions to contest lists and concert repertoire.
This collection of extended quartets contains four of the most familiar and requested themes from the great symphonic repertoire. By keeping these arrangements in the original keys, Lynne Latham has provided a great way for advanced high school students to learn orchestral literature. Includes Symphony #40 - 1st Mvt (Mozart); Symphony #6 - 1st Mvt (Beethoven); Symphony #4 - 2nd Mvt (Tchaikovsky)and Symphony #1 - Finale (Brahms).
Grade 4 * Written in G Major, this workout for inner voices includes optional 3rd violin.
Difficult overture, dance movements lighter; Cello I treble clef.
This long-time best-seller is now available with a score and newly edited by Lynne Latham. These are great for gigs and intermediate chamber music experiences for students. This volume has more complicated rhythms. [replaces M1723 #1-3]
Bach's famous Brandenburg Concertos" are considered by many to be the pinnacle of the Baroque Concerto Grosso style. These arrangements of the "Brandenburgs" for string quartet by Lynne Latham have become much-used by professionals and students alike."
Instrumentation: Violin 1, Viola and Violincello New edition edited by Lynne Latham and Clark McAlister. These classics now have full scores, endings that match, consistent articulations and are bowed, making them perfect additions to contest lists and concert repertoire.
Two bright, energetic movements that can incorporate flute, oboe and substitute viola for violin 3. Every part is active, with ornaments and scale and arpeggio passages.
This collection is the ideal solution for planning wedding music when you don't have the players for a full string trio or quartet. For Violin I and another player, these beautiful duets make the most of the various string pairings.
Includes works by Bach, Handel, Telemann. Viola to 3rd position, shifting in cello through 4th position. Compatible with 15 Duets for Viola and Cello (52701323).
Instrumentation: Violin 1, Violin 2, Viola, Cello
In G Major, Parts 3 and 4 share continuo.
Instrumentation: Violin 1, Violin 2, Viola, Cello Some of Lynne's favorite music from the subtle Vocalise to the majestic Promenade and Great Gate, there is something for everyone in this collection.
The key has been transposed to G minor for better accessibility and the percussion parts have been retained. This will be a fabulous addition to the string orchestra program.
Our bestseller for over ten years! Everything the working violinist needs to play a wedding prelude and service, without being technically taxing.
Instrumentation: Cello Quartet with Double Bass Cello 1 and 2 get into treble and tenor clefs, but everyone gets something fun. Should be accessible for accomplished high school ensemble.
Violin 1, Violin 2, Viola, Cello This collection from Vivaldi's great set of concertos features movements from Spring and Autumn. A nice collection for the advancing student quartet as well as extra repertoire for the working quartet.
Instrumentation: Violin 1, 2, Viola and Violoncello A collection of spooky favorites used in movies, television and commercials. All parts are active so no one is left out of the fun! These pieces would be useful for in-school performances or recruiting. Contents: (2) Marche funbre (Chopin); Funeral March of a Marionette (Gounod); In the Hall of the Mountain King (Grieg); The Old Castle (Mussorgsky); Danse Macabre (Saint-Sans).
Good sight-reading practice. Cello I requires tenor clef.
Bourree, Allegro, and Hornpipe. Cello I advanced in treble clef.
This audition survival guide for teachers and students of all levels begins with one-octave major and minor scales to three sharps and flats. Two-octave scales are introduced subsequently, and the book concludes with three-octave scales to five sharps and flats. Two-octave blues scales to four sharps and flats are included as a bonus. Bowings and fingerings are not included in this workbook, which includes blank staves in the back for teachers to make suggestions. An introduction by Lynne Latham offers tips on how to practice scales and includes a lesson on scale construction and theory.
Difficult overture, dance movements lighter; Cello I treble clef.
Instrumentation: Violin Trio with optional Viola and Cello 1st violin to 3rd position. Now includes optional viola and cello parts for 3rd violin.
Two bright, energetic movements that can incorporate flute, oboe and substitute viola for violin 3. Every part is active, with ornaments and scale and arpeggio passages.
Originally for clarinet and bassoon, these delightful duos pick up where the Mozart violin/viola duos left off. A bit more harmonically advanced and chromatic with a very active cello part, they are worth the work.
Your bass section emulates a walrus sleeping (in A minor) and waking from his slumber. His alarm clock is the first violins and their harsh trill. Basses use half, 1st, 2nd, and 3rd positions, set up logically and with fingerings provided. Violins and vio
Instrumentation: Viola Duet Telemann and CPE Bach, to 3rd position.
Instrumentation: Cello Quartet Bach, Mozart, & Brahms. Cello I advanced intermediate (tenor and treble clef), mixed level ensemble.
This happy jig incorporates a small chromatic twist in the tune and affords a fabulous opportunity to teach both hooked bowing and 6/8 meter. Everyone plays the theme at some point and the tapping of toes is not forbidden!
Grade 4 * Written in G Major, this workout for inner voices includes optional 3rd violin.
Selected from Chaminade's two Albums for the Young, these charming salon pieces have been lovingly arranged for string quartet. They've been edited for intermediate players, but are also appropriate for professional gigs, and feature a nice variety of key
Instrumentation: Cello Quartet Parts 3 and 4 share continuo.
Instrumentation: Violin 1, Violin 2 /Viola and Cello Includes optional Violin 2 for Viola.Meditation from Thais (Massenet), Ave Maria (Bach-Gounod) If with all your Hearts from Elijah (Mendelssohn), My Heart Ever Faithful & Bist du bei mir (Bach), Te Deum (Charpentier), Suite from the Fairy Queen (Purcell).
New edition edited by Lynne Latham and Clark McAlister. These classics now have full scores, endings that match, consistent articulations and are bowed, making them perfect additions to contest lists and concert repertoire.