Walter Serner was a writer and a key figure in the Dada movement, known for his experimental approach to literature. His works delve into extreme situations and the darker aspects of the human psyche, often with a biting critique of bourgeois society. Serner's style is marked by audacious linguistic experimentation, unconventional sentence structures, and a distinct ironic detachment. Through his writing, he aimed to dismantle conventional notions of art and reality, provoking strong emotional responses in his readers.
The German contribution to the Dada movement, this collection brings together three texts, translated into English for the first time, which were essential for the very inception of the movement and which influenced its future development. Included is the only Dada novel, Tenderanda the Fantast, by the movement's founder, Hugo Ball.
Set in a high-end Parisian restaurant, the story unfolds around an unconventional couple whose casual attire and lively conversation draw attention in a space where decorum is expected. Their vibrant expressions and confident demeanor challenge social norms, creating a mix of intrigue and discomfort among the patrons. Walter Serner, a notable figure in the Dada movement, infuses his narrative with sharp observations on societal expectations and the nature of individuality in a conformist setting.
Walter Serner, a notable figure in the Dada movement, shifted his focus to crime fiction after distancing himself from Dadaism. His 1925 novel, featuring a controversial setting and provocative language, sparked scandal but narrowly escaped censorship thanks to support from Alfred Döblin. His works often faced scrutiny, with some being temporarily seized. This collection includes a variety of stories, showcasing Serner's unique narrative style and themes, ranging from mysterious encounters to societal critiques, reflecting the vibrant yet tumultuous era of the 1920s.
Walter Serner, a notable figure in the Dada movement, transitioned to writing crime stories after distancing himself from Dadaism. His 1925 novel, featuring a scandalous narrative and provocative language, faced censorship threats but was saved by Alfred Döblin's endorsement. The collection includes various tales exploring themes of love, deception, and the complexities of human relationships, all set against a backdrop of vibrant European cities. Serner's works reflect his unique perspective on societal norms and the human condition, blending humor with sharp commentary.
Verheißungsvoll beginnt Walter Serner seine Geschichten rund um allerhand Detektive, Spitzel und Hochstapler, und voller Pointen und überraschender Wendungen führt er sie zu einem verblüffenden Ende. Die Prosastücke dieses Buches funkeln vor Sprachlust und Erfindungsreichtum.
Walter Serner (1889-1942) war ein Essayist, Schriftsteller und Dadaist. Nach seiner Abkehr von der dadaistischen Bewegung wandte sich Serner dem Schreiben von Kriminalgeschichten zu. Sein Roman Die Tigerin erschien 1925 (verfilmt von Karin Howard 1992) und sorgte aufgrund des zwielichtigen Milieus und der sexuell offensiven Sprache für einen kleinen Skandal. Nur ein Gutachten von Alfred Döblin verhinderte, dass das Buch der Zensur zum Opfer fiel. Seine Erzählsammlung Der Pfiff um die Ecke wurde zeitweise beschlagnahmt. Sein nächster Erzählband, Die tückische Straße erschien zuerst als Privatdruck, ebenso sein "Gauner-Stück" Posada oder der große Coup im Hotel Ritz, das am 6. März 1927 zum ersten (und letzten) Mal aufgeführt im Berliner Theater am Zoo. Das Rendez-vous mit dem Goldzahn Die Clincher Box Las Tortilleras Narziss Die verhängnisvolle Camel Das Loch in der Weste Übersee Wong Fun Psycho-Dancing The mistery of Tottenham Court Road Auf dem Rummelplatz Deiters Putsch Im Hotel Fleißig Diluvialzeit Homingmans schönste Komposition Das Fest in der Via Alfeo Irma Das denkwürdige Gespräch Messalina - eine...
Die Hardcover-Ausgabe gehört zur Reihe TREDITION CLASSICS des Verlags tredition aus Hamburg, die Werke aus über zwei Jahrtausenden neu auflegt. Ziel ist es, Klassiker der Weltliteratur in gedruckter Form zu bewahren und die Kultur zu fördern, damit sie nicht in Vergessenheit geraten.
