Ann Dumas Books

Vallotton’s vivid and sometimes unsettling paintings and woodcuts positioned him as a key commentator on the social mores of fin-de-siècle Paris. By the late 19th century, Paris had become the capital of the Western art world, with Impressionism transforming visual arts and post-impressionism flourishing. The city’s modernization, marked by new boulevards and parks, created a vibrant atmosphere for entertainment and consumption, and artists were seen as the avant-garde of society. At 16, Félix Vallotton joined the Nabis, a group that included Pierre Bonnard and Edouard Vuillard. He embraced their decorative style while also drawing inspiration from journalistic illustration and Japanese ukiyo-e prints. Vallotton's works provided witty yet unsettling insights into domestic and political life, establishing him as one of the greatest printmakers of his time. His later style, characterized by sharp realism and cool linearity, made him a distinctive figure in early 20th-century art. This book, richly illustrated with Vallotton’s finest works, accompanies a new exhibition in New York and London, featuring pieces never before seen in public. It aims to reevaluate his legacy, with texts from leading authorities exploring his life and impact. Born in Lausanne, Vallotton spent much of his career in France, where his innovative approach continued to evolve throughout his life.

RO60110628. DEGAS AS A COLLECTOR. 1996. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 77 pages. Photo en couleur en frontispice. Illustré de nombreuses photos en couleur et en noir et blanc, dans et hors texte. Texte sur 3 colonnes.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon

"While depictions of gardens are found throughout history, the impressionists were among the first to portray gardens directly from life, focusing on their color and form rather than using them as a background. This volume explores the close, symbiotic relationship between artists and gardens that developed during the latter part of the 19th and first part of the 20th centuries, centering on Monet, a great horticulturalist as well as a great artist who cultivated gardens wherever he lived, and the creation of his masterpiece garden at Giverny, where he painted his renowned water-lilies series. Beautifully illustrated with masterpieces by Monet and later painters--Renoir, Bonnard, Sargent, Klee, Kandinsky, and Matisse, among others--Painting the Modern Garden traces the evolution of the garden theme from impressionist visions of light and atmosphere to retreats for reverie, sites for bold experimentation, sanctuaries, and, ultimately, signifiers of a world restored to order--a paradise regained." -- Publisher's description.