THE EXTRAORDINARY LOST NOVEL FROM THE NOBEL PRIZE-WINNING AUTHOR OF LOVE IN THE TIME OF CHOLERA AND ONE HUNDRED YEARS OF SOLITUDESitting alone, overlooking the still and blue lagoon, Ana Magdalena Bach surveys the men of the hotel bar. She is happily married and has no reason to escape the world she has made with her husband and children. And yet, every August, she travels here to the island where her mother is buried, and for one night takes a new lover.Amid sultry days and tropical downpours, lotharios and conmen, Ana journeys further each year into the hinterland of her desire, and the fear that sits quietly at her heart.Constantly surprising and wonderfully sensual, Until August is a profound meditation on freedom, regret, and the mysteries of love, from one of the greatest writers the world has ever known.'No writer since Dickens was so widely read, and so deeply loved, as Gabriel Garcia Marquez' Salman Rushdie'One of the greatest visionary writers - and one of my favourites from the time I was young' Barack Obama'Few writers can be said to have written books that have changed the whole course of literature. Gabriel Garcia Marquez did just that' Guardian
László Scholz Book order (chronological)



The Scandal of the Century
- 336 pages
- 12 hours of reading
A new collection of journalism from one of the great titans of 20th century literature "I don't want to be remembered for One Hundred Years of Solitude or for the Nobel Prize but rather for my journalism," Gabriel García Márquez said in the final years of his life. And while some of his journalistic writings have been made available over the years, this is the first volume to gather a representative selection from across the first four decades of his career--years during which he worked as a full-time, often muckraking, and controversial journalist, even as he penned the fiction that would bring him the Nobel Prize in 1982. Here are the first pieces he wrote while working for newspapers in the coastal Colombian cities of Cartagena and Barranquilla . . . his longer, more fictionlike reportage from Paris and Rome . . . his monthly columns for Spain's El País. And while all the work points in style, wit, depth, and passion to his fiction, these fifty pieces are, more than anything, a revelation of the writer working at the profession he believed to be "the best in the world." 'García Márquez always thought of himself as a journalist first and foremost and this brilliant collection goes a long way towards justifying that belief.' Salman Rushdie