Caecile de Hoog Book order (chronological)

Ann Stilwell arrives in New York City, hoping to spend her summer working at the Metropolitan Museum of Art. Instead, she is assigned to The Cloisters, a gothic museum and garden renowned for its collection of medieval and Renaissance art. Drawn into a small circle of charismatic but enigmatic researchers, Ann happy to indulge some of their more outlandish theories, including the museum's curator who is fixated on tarot and the real possibility of predicting the future. But when Ann discovers a mysterious, once-thought lost deck of 15th-century Italian tarot cards she finds herself at the centre of a dangerous game of power, toxic friendship and ambition. And as the game being played within the Cloisters spirals out of control, Ann must decide who she trusts . . .

‘Don’t you think it’s strange?’ he said. ‘Two girls disappearing?’ Blackwood Bay used to be a buzzing seaside destination. But now, ravaged by the effects of dwindling tourism and economic downturn, it’s a ghost town – and the perfect place for documentary-film maker Alex to shoot her new project. But the community is deeply suspicious of her intentions. After all, nothing exciting ever happens in Blackwood Bay. Unless you count the history of missing girls, of course . . .

Om Pauls zeventigste verjaardag te vieren, organiseert zijn vrouw een familieweekend in Parijs. Paul Malegarde, een beroemd bomenkenner, is getrouwd met de Amerikaanse Lauren en samen hebben ze twee volwassen kinderen, Tilia en Linden. Alle vier dragen ze een geheim met zich mee. Doordat de Seine buiten zijn oevers dreigt te treden door aanhoudende regen is het gezin tot elkaar veroordeeld en kunnen hun geheimen niet langer verborgen blijven. De emoties lopen, net als het kolkende water, hoog op. Paul, Lauren, Tilia en Linden zullen ieder moeten vechten voor hun identiteit en zijn tegelijkertijd genoodzaakt een gesloten front te vormen om het stijgende water het hoofd te bieden.

Thursday's Children by Nicci French is the fourth novel in the bestselling Frieda Klein series, following Blue Monday, Tuesday's Gone and Waiting for Wednesday. Expect the same satisfyingly rich combination of brilliant, three-dimensional characters, psychological suspense, police procedural and ever-present menace. It's sure to add to Nicci French and Frieda Klein's growing number of fans. Praise for the Frieda Klein series: 'Brilliantly crafted . . . masterly control of suspense' Daily Mirror 'Tense, frightening, gripping' Easy Living 'Nerve-tingling and addictive' Daily Express Nicci French is the pseudonym for the writing partnership of journalists Nicci Gerrard and Sean French. The couple are married and live in Suffolk. There are fourteen other bestselling novels by Nicci French, all published by Penguin. Blue Monday was the first thrilling instalment in the Frieda Klein series, followed by Tuesday's Gone and Waiting for Wednesday.

Ruth Lennox, beloved mother of three, is found by her daughter in a pool of her own blood. Who would want to murder an ordinary housewife? And why? Psychotherapist Frieda Klein finds she has an unusually personal connection with DCI Karlsson's latest case. She is no longer working with him in an official capacity, but when her niece befriends Ruth Lennox's son, Ted, she finds herself in the awkward position of confidante to both Karlsson and Ted. When it emerges that Ruth was leading a secret life, her family closes ranks and Karlsson finds he needs Frieda's help more than ever before. But Frieda is distracted. Having survived an attack on her life, she is struggling to stay in control and when a patient's chance remark rings an alarm bell, she finds herself chasing down a path that seems to lead to a serial killer who has long escaped detection. Or is it merely a symptom of her own increasingly fragile mind? Because, as Frieda knows, every step closer to a killer is one more step into a darkness from which there may be no return . . .

Memories define us. So what if you lost yours every time you went to sleep? Your name, your identity, your past, even the people you love - all forgotten overnight. And the one person you trust may only be telling you half the story. Welcome to Christine's life.

Getting old? Get over it! For too long those in short skirts have been telling us oldies we don't matter: 'you're out of touch! Get out of the way, grandma! The next generation is coming through.' Well, enough is enough. Because getting old is great. For a start you no longer need to care what anyone thinks. You can let - if you've got any left - your hair down. No one will tell you off for grumbling. And no one minds if you forget (or pretend to forget) who you're talking to. Being rude has never been so easy - or liberating. And that's not all you can get away with now that you've seen it all (and done most of it) . . . Let Virginia Ironside take you through the top twenty reasons why getting old is good for you - and let the young and dumb keep their callow youth!

Het meeslepende en waargebeurde verhaal van Caroline Kraus, die na het overlijden van haar moeder een nieuw bestaan wil opbouwen in San Francisco. Borderliner is het indrukwekkende verhaal over de heftige confrontatie met een borderliner en de ingrijpende persoonlijke gevolgen daarvan.

Forensisch psychiater Paul Lucas wordt gevraagd de charmante en intelligente student Craig Cavanaugh onder behandeling te nemen. Craig blijkt opmerkelijk veel van Pauls privéleven af te weten. Langzaam maar zeker worden de rollen tussen de psychiater en de patiënt omgedraaid. Paul raakt verstrikt in verwarrende gebeurtenissen die hem in een onmogelijke positie brengen. Zijn vrouw Abby vertrouwt hem niet meer en zijn collega's en zelfs de politie denken dat hij wat te verbergen heeft...

The Space Between Us is an intimate portrait of a distant yet familiar world. Set in modern-day India and witnessed through two compelling and achingly real women, the novel shows how the lives of the rich and the poor are intrinsically connected yet vastly removed from each other, and vividly captures how the bonds of womanhood are pitted against the divisions of class and culture.