Arie van der Wal Books

Haunted all her life by feelings of terror and emptiness, forty-nine-year-old Urania Cabral returns to her native Dominican Republic - and finds herself reliving the events of l961, when the capital was still called Trujillo City and one old man terrorized a nation of three million. Rafael Trujillo, the depraved ailing dictator whom Dominicans call the Goat, controls his inner circle with a combination of violence and blackmail. In Trujillo's gaudy palace, treachery and cowardice have become a way of life. But Trujillo's grasp is slipping. There is a conspiracy against him, and a Machiavellian revolution already underway that will have bloody consequences of its own. In this 'masterpiece of Latin American and world literature, and one of the finest political novels ever written' (Bookforum), Mario Vargas Llosa recounts the end of a regime and the birth of a terrible democracy, giving voice to the historical Trujillo and the victims, both innocent and complicit, drawn into his deadly orbit.

An American sportswriter, an elusive German novelist, and a teenage student interact in an urban community on the U.S.-Mexico border where hundreds of young factory workers have disappeared.

'THE FIRST THING SEÑORA PRUDENCIA LINERO NOTICED WHEN SHE REACHED THE PORT OF NAPLES WAS THAT IT HAD THE SAME SMELL AS THE PORT OF RIOHACHA' Their distant, nostalgic memories of home, their sense of anonymity in a foreign land, the terrifying pang of vulnerability they feel as they step over the threshold into an alien world... Márquez's strange pilgrims - the ageing prostitute preparing for death by teaching her dog to weep at her grave, the panicked husband scared for the life of his injured wife, the old man who allows his mind to wander on a long-haul flight from Paris - experience with all his humour, warmth and colour what it is to be a Latin American adrift in Europe or, indeed, any outsider living far from home.

Skutren na dnu jame u koju se sakrio, dječak napeto osluškuje dovikivanje muškaraca koji ga proganjanju. No nakon što se glasovi izgube u daljini, pred njim ostaje beskrajna i jalova ravnica koju mora prijeći želi li se zauvijek udaljiti od onog što ga je nagnalo na bijeg. Jedne noći na putu nailazi na starog pastira. Od tog trenutka njihovi životi više neće biti isti. "Pustopoljina" je čarobna priča o hrabrom dječaku koji bježi kroz područje koje je poharala suša i kojim vlada nasilje. To je zatvoren svijet, bez imena i datuma, iz kojeg je moral iščeznuo bez traga jednako kao i voda. U takvim će okolnostima dječak, čija sudbina još nije sasvim određena na propast, biti prisiljen naglo savladati kako pravilno procijeniti ljude i njihove postupke, ili pak zauvijek prihvatiti nasilje u kojem je odrastao.

Pablo Escobar: billionaire drugs baron, ruthless manipulator brutal killer and jefe of the infamous Madellín cartel. A man whose importance in the international drug trade and renown for his charitable work among the poor brought him influence and power in his home country of Colombia, and the unwanted attention of the American courts. Terrified of the new Colombian President's determination to extradite him to America, Escobar found the best bargaining tools he could find: hostages. In the winter of 1990, ten relatives of Colombian politicians, mostly women, were abducted and held hostage as Escobar attempted to strong-arm the government into blocking his extradition. Two died, the rest survived, and from their harrowing stories Márquez retells, with vivid clarity, the terror and uncertainty of those dark an volatile months.

Na de dood van haar man Nicanor verlaat de contactgestoorde Argentijnse Agata Cruz hun afgelegen boerderij om in de stad nog een flard geluk te vinden. Het was een liefdeloos samenleven. Het land is desolaat. De taal is even kaal. De vertaler Arie van der Wal schreef ook een iformatief nawoord. Verzorgde uitgave van Coppens & Frenks. JM

Als een broer met zijn twee zussen ter gelegenheid van de 80e verjaardag van hun moeder een feest wil organiseren, doet dit plan spoken uit het verleden tevoorschijn komen.

Ricardo Somocurcio is in love with a bad girl. He loves her as a teenager in Lima in 1950, and next in Paris, where she appears as the enchanting Comrade Arlette. In Llosa's beguiling novel, the strange bedfellows of good and bad turn out not to be what they appear.

La hora azul narra la historia de Adrián Ormache, un abogado de la clase alta limeña, quien descubre que su padre, un oficial de la Marina muerto años atrás, y destacado en Ayacucho para dirigir un cuartel contra la lucha terrorista, entabló una relación amorosa con una de las prisioneras. Ormache, motivado por una curiosidad inexplicable, deja atrás su vida de comodidad y decide encontrar a aquella mujer, cueste lo que cueste. Una magnífica novela que describe con lucidez y fantasía las secuelas de 10 años de guerra civil y terrorismo.

From the famous Mexican author, Sergio Pitol, comes his 1988 classic translated by George Henson. Taming the Divine Heron, tells the semi-autobiographical story of a novelist working on his newest masterpiece. The protagonist struggles to tell the perfect story-his own, imagined protagonists mere imitations of the likes of Lord Jim and Alyosha Karamavoz. To help eradicate writer's block, Pitol uses his vessel to praise his own favorite authors. Pitol applauds Bakhtin's world building, Gogol's "carnivalesque [literary] breath", and Dante's dizzying intensity. The character finds a muse in Marietta Karapetiz who he aptly dubs Dante C. de la Estrella, and the two debate the literary greats. As the pair attempt to pull from the techniques of the world's best writers, Pitol creates a love letter to literature from around the globe while simultaneously telling his own magical story. To quote Pitol's protagonist, "the quality of the story, its effects, its brilliance, its intensity, ma[k]e the most absurd circumstances plausible". Taming of The Divine Heron, second in a trilogy including already-published The Love Parade (Deep Vellum, 2022), houses history, hyperrealism, myth, folklore, and memoir; to read Pitol is to appreciate the power of language.

Na een turbulente relatie van dertien jaar gaan twee mensen uit Buenos Aires uit elkaar.

La gran metáfora histórica de Donoso; la representación en clave del Chile de los años 70 y del golpe militar. Una brillante alegoría del poder y la rebelión. La mansión señorial donde los Ventura, sus cónyuges y sus treinta y cinco hijos pasan el verano, lejos de la civilización, se alza como un espejismo en medio de la llanura. Por sus salones, pasillos, escalinatas y torreones deambulan los niños, poblando la casa con intrigas, transgresiones y juegos que cuestionan una perversión mayor: el orden impuesto por sus aristocráticos padres. Los Ventura organizan un fastuoso día de campo para los mayores, y encierran a sus hijos en la enorme mansión, cercada por una reja de lanzas... ¿Qué hay más allá? La llanura ilimitada, los antropófagos, la naturaleza y sus fuerzas no domadas. Pero también en los niños anida la subversión. Y están solos.