Drawn from journals, this book is an account of a woman's sexual awakening, covering a single momentous year - 1931-32, in Paris, when June fell in love with Henry Miller, undermining her own idealized marriage. The question of the outcome of June Miller's return to Paris dominates her thoughts
PRAXIS is a modern classic: the portrait of a woman set in time, yet timeless. We see her first as the innocent Praxis Duveen, aged five; watch her, as the men in her life come and go, through many drastic changes in fortune and circumstance. Until, from a prison both psychological and real, she emerges as Patty Fletcher, considered as bad as a woman can be and yet her own mistress.
Bundel verhalen en gedichten
Nin continues her debate on the use of drugs versus the artist's imagination, portrays many famous people in the arts, and recounts her visits to Sweden, the Brussels World's Fair, Paris, and Venice. "[Nin] looks at life, love, and art with a blend of gentility and acuity that is rare in contemporary writing" (John Barkham Reviews). Edited and with a Preface by Gunther Stuhlmann; Index.
The author's experiences in Mexico, California, New York, and Paris, her psychoanalysis, and her experiment with LSD. "Through her own struggling and dazzling courage [Nin has] shown women groping with and growing with the world" (Minneapolis Tribune). Edited and with a Preface by Gunther Stuhlmann; Index.
Dutch
Dit eerste deel beslaat haar Parijse jaren van 1931 tot 1934, waarin de ontmoeting en de daaruit voortvloeiende intense vriendschap met Henry Miller een grote plaats inneemt. Maar ook Hitler en Franco, het maatschappelijk engagement tegenover de individuele artisticiteit, het surrealisme, het theater van de wreedheid, veranderende opvattingen over literatuur en schilderkunst, zijn dingen die nu nog doorwerken en zelfs steeds belangrijker worden.
'It conveys, with concreteness and vitality, the, the detailed quality of ordinary life in the Hitler years and at the time of their catastrophic end' -Sunday Telegraph 'Leni (the central character) is seen through a series of interviews with witnesses who make up this huge "group portrait". This works brilliantly as a parody of fashionable documentary; then by making the story resonant with overlapping echoes; and finally by counterpointing these voices of the imagination with the terrible dead language of real documents of Nazi bureaucracy' -Guardian 'A work of considerable distinction' -The Times Literary Supplement
