Marina Antonielli Book order (chronological)

Monster of God is a journey through time and landscape, through science and literature and myth, to explore the nature of big predators and the variety of human attitudes toward them. It's an intellectual travelogue spanning continents and disciplines - from Romania to Australia, from ecology to art history, and from Beowulf to Hollywood. In search of human voices as well as formidable beasts, Quammen visited and revisited four remote landscapes, little-known places where rural people still lead perilous lives in propinquity to one or another species of big predator. His book carries us along on those travels - up to high meadows in the Carpathian Mountains of Romania, where the brown bear coexists uneasily with cheese-making shepherds; to an Aboriginal community in northern Australia, where the saltwater crocodile is venerated as an ancestor; to the snowbound Bikin River valley in the mountainous Russian Far East, where the Siberian tiger competes with natives trappers of the Udege tribe for a limited supply of deer and boar; and to the Gir forest of western India, last refuge of the Asiatic lion, where stock-herding people known as Maldharis graze their buffaloes in the presence of the great cats. It also takes us into the background of ecological thinking on certain crucial concepts, such as food chains, the pyramid of numbers, and keystone species.

In this radical account of the decline of 20th-century American culture, the art critic of Time magazine insists that the politicization of almost every area of American culture has resulted in a fall in the standards required to hold such a diverse society together.

This powerful short novel describes the events of a single afternoon. Alwyn Towers, an American expatriate and sometime novelist, is staying with a friend outside of Paris, when a well-heeled, itinerant Irish couple drops in—with Lucy, their trained hawk, a restless, sullen, disturbingly totemic presence. Lunch is prepared, drink flows. A masquerade, at once harrowing and farcical, begins. A work of classical elegance and concision, The Pilgrim Hawk stands with Faulkner's The Bear as one of the finest American short novels: a beautifully crafted story that is also a poignant evocation of the implacable power of love.