Modernity and Tradition in the Art of Twentieth-Century China
Since 1850, China has undergone urban industrialization, conquest by foreign powers, civil wars, changing governments, and an opening to the international community. This period has also seen artistic experimentation and innovation.Catalog of an exhibition held at the Guggenheim Museum Soho, Feb. 6-May 24, 1998 and the Guggenheim Museum Bilbao, July 17-Oct.15, 1998.
One of the preeminent figures in 20th-century Chinese art, Fu Baoshi (1904-1965) revolutionized the tradition of Chinese ink painting, opening the door to innovations by subsequent generations. As both an art historian and a painter, he directed his work toward protecting cultural heritage in times of war and revolution. From traditional-style landscape and figure painting to political artwork manifesting state ideology during the Mao era, Fu's work demonstrates his search for a unique artistic language that speaks for the self and the nation. Using native tradition as an essential element, Fu's artistic modernity defined Chinese art as a discipline distinct from Western and international socialist art of the time. Chinese Art in an Age of Revolution is the first comprehensive retrospective of Fu's work to be published in the West. The book includes more than 100 artworks that demonstrate his stylistic transformation across several decades. Insightful essays offer the latest scholarship on Fu's life and art, Japan's impact on modern Chinese art, and art and politics in China's turbulent 20th century.Published in association with the Cleveland Museum of ArtExhibition Cleveland Museum of Art (10/16/11-01/08/12) The Metropolitan Museum of Art(01/30/12-04/29/12)