Ján Kadár
- 367 pages
- 13 hours of reading
A monograph on the work and the life of Jan Kadár, Oscar and Golden Globe winning Czechoslovak film director
Václav Macek Books
1. Januar 1952
The History of European Photography (1900-2000) is an international research project spanning the whole of Europe. The project's main aim is to publish an encyclopaedia in English (5000 copies per volume, about 600 pages per book), divided into three volumes / periods, volume 1 : 1900-1938, volume 2 : 1939-1970, volume 3 : 1971-2000. Each volume of the encyclopaedia will be organized alphabetically by country. A study on the history of photography in each country will be written by an expert on photography from that country. Alongside the main studies, each book will contain extensive additional material, biographies of mentioned photographers, and timetables marking cultural, socio-political and technical photographic events in each country for a given period. There will be two types of indices in each book: an index of mentioned photographers and an index of other historical names and subjects.
The 1st volume of a three volume encyclopedia on the history of European Photography of the 20th Century. 34 countries included from Albania to Ukraine. More then 45 experts writing and doing research on the history. More then 800 pages and over 330 images included. It is the most complex overview on the history of photography in Europe!
The history of European photography (1900-2000) is an international participatory research project of a pan-European size divided into three periods: 1900-1938 (2 v.), 1939-1969 (2 v.) and 1970-2000.
Mesiac fotografie 1996 = Month of photography 1996
- 125 pages
- 5 hours of reading
Dejiny slovenskej kinematografie
- 624 pages
- 22 hours of reading
Text mapuje vývoj slovenskej kinematografie vo všetkých jej etapách a častiach. Zlomové roku sú : 1918, 1938, 1948, 1969, Kinematografia sa člení na tvorbu, výrobu, distribúciu, techniku, školstvo, filmovú reflexiu. Predložené národné dejiny starostlivo sledujú dialóg s českou, poľskou, maďarskou, rakúskou produkciou, národné je tu v pevnej symbióze s medzinárodným. Kniha sa štrukturuje nielen podľa filmových žánrov, zmien štýlu, ale vyzdvihuje v samostatných kapitolách aj najvýraznejšie osobnosti slovenskej kinematografie napr. Paľo Bielik, Štefan Uher, Dušan Hanák, Dušan Trančík atď. Autori sa pokúšajú o kompaktné línie vývoja od amatérskych začiatkov až po takmer priemyselnú výrobu filmových diel. Druhé rozšírené vydanie.
