Laszlo Taschen Book order (chronological)

Formgiving. An Architectural Future History, by Bjarke Ingels Group, is the third installment in its TASCHEN trilogy. Ingels looks into the distant future of architecture, addressing the main design trends and the development of AI, sustainability and interplanetary migration, giving form to the world of tomorrow.

Sechs Kontinente umspannend, präsentiert dieser Band einige der derzeit ungewöhnlichsten und inspirierendsten Interieurs in Nord- und Südamerika, Europa, Asien, Afrika und Australien. Von rustikalem Minimalismus bis hin zu urbanem Eklektizismus umfasst die Auswahl ein globales Stilspektrum – allen vorgestellten Beispielen gemeinsam ist jedoch ihre Authentizität, ihre Liebe zum Detail und die Lust an individueller Ausdruckskraft , die niemals aus der Mode kommen wird. Gezeigt werden Interieurs aus Argentinien, Brasilien, China, Dänemark, Deutschland, Frankreich, Griechenland, Indonesien, Italien, Japan, Kenia, Kuba, Marokko, Schweden, Spanien, Südafrika, der Türkei, den USA und vielen weiteren Ländern. Mit Aufnahmen von führenden Interieur-Fotografen, darunter Xavier Béjot, Pieter Estersohn, Marina Faust, Reto Guntli, François Halard, HieplerBrunier, Ditte Isager, Nikolas Koenig, Ricardo Labougle, Eric Laignel, Åke Lindman, Thomas Loof, Jason Schmidt, Mark Seelen, René Stoeltie, Tim Street-Porter, Vincent Thibert, Simon Upton und Paul Warchol.

Takes us on a tour of contemporary home decors around the world. This title features some of the world's most amazing, exquisite, and interesting contemporary apartments and houses. Whatever your preference - flea market romance or space age bachelor pad, minimalism or neo-baroque - it provides you with many fresh ideas.

According to many art historians, the adventure of modern art began in the 1870s in Paris, when a group of artists, the Impressionists, started painting with quick and imprecise brushstrokes. Instead of grand heroic scenes, they depicted everyday life and distanced themselves from the traditional circle of gallery owners by organizing their own exhibitions. Once they overcame academic principles, nothing could stop them. In a constant desire to challenge, innovate, and inspire, new artistic styles followed one after another: symbolism, expressionism, futurism, dadaism, abstract art, renewed realism, surrealism, abstract expressionism, pop art, minimalist art, and conceptual art. This essential compendium illustrates the unstoppable energy of modern art (from 1870 to 2000) through introductory analysis and a year-by-year listing of the most revolutionary works of art, those that, breaking barriers, challenged established canons. It includes detailed descriptions of the works and their artists, as well as reviews of the most relevant and influential movements.