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Josh Kirby

    Maskerade
    Interesting Times
    Mort
    • Mort

      • 320 pages
      • 12 hours of reading

      'YOU CANNOT INTERFERE WITH FATE. WHO ARE YOU TO JUDGE WHO SHOULD LIVE AND WHO SHOULD DIE?' Death comes to us all. When he came to Mort, he offered him a job. Death is the Grim Reaper of the Discworld, a black-robed skeleton with a scythe who ushers souls into the next world. He is also fond of cats and endlessly baffled by humanity. Soon Death is yearning to experience what humanity really has to offer, but to do that, he'll need to hire some help. It's an offer Mort can't refuse. As Death's apprentice he'll have free board, use of the company horse - and being dead isn't compulsory. It's a dream job - until Mort falls in love with Death's daughter, Ysabell, and discovers that your boss can be a killer on your love life . . . 'Incredibly funny, compulsively readable' The Times 'Cracking dialogue, compelling illogic and unchained whimsy' Sunday Times Mort is the first book in the Death series, but you can read the Discworld novels in any order.

      Mort
      4.3
    • Interesting Times

      • 432 pages
      • 16 hours of reading

      The oldest and most inscrutable empire in the Discworld is in turmoil, brought about by the revolutionary treatise 'What I Did On My Holidays'. Workers are uniting, with nothing to lose but their water buffaloes. Warlords are struggling for power. War (and Clancy) are spreading throughout the ancient cities.

      Interesting Times
      4.2
    • Maskerade

      • 368 pages
      • 13 hours of reading

      The Ghost in the bone-white mask who haunts the Ankh-Morpork Opera House was always considered a benign presence—some would even say lucky—until he started killing people. The sudden rash of bizarre backstage deaths now threatens to mar the operatic debut of country girl Perdita X. (nee Agnes) Nitt, she of the ample body and ampler voice. Perdita's expected to hide in the chorus and sing arias out loud while a more petitely presentable soprano mouths the notes. But at least it's an escape from scheming Nanny Ogg and old Granny Weatherwax back home, who want her to join their witchy ranks. Once Granny sets her mind on something, however, it's difficult—and often hazardous—to dissuade her. And no opera-prowling phantom fiend is going to keep a pair of determined hags down on the farm after they've seen Ankh-Morpork.

      Maskerade
      4.2