Raised in California's Mojave Desert among Joshua trees and storytelling women, Micaiah Johnson's writing delves into the depths of American literature. Her work explores the intersections of critical race theory and automatons. Johnson serves as a voice that examines complex human experiences through her unique literary lens.
In a world on the brink of apocalypse, a woman confronts her troubled past while investigating a wave of mysterious deaths. As she navigates through her memories and the chaos around her, she seeks to uncover the truth behind these inexplicable events, intertwining personal redemption with the urgency of survival.
"A multiverse-hopping outsider discovers a secret that threatens her home world and her fragile place in it-a stunning sci-fi debut that's both a cross-dimensional adventure and a powerful examination of identity, privilege, and belonging. CARA IS DEAD ON THREE HUNDRED AND SEVENTY-FOUR WORLDS. The multiverse business is booming, but there's just one catch: no one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying-from diseases, from turf wars, from vendettas they couldn't outrun. But on this earth, Cara's survived. And she's reaping the benefits, thanks to the well-heeled Wiley City scientists who ID'd her as an outlier and plucked her from the dirt. Now she's got a new job collecting offworld data, a path to citizenship, and a near-perfect Wiley City accent. Now she can pretend she's always lived in the city she grew up staring at from the outside, even if she feels like a fraud on either side of its walls. But when one of her eight remaining doppelgangers dies under mysterious circumstances, Cara is plunged into a new world with an old secret. What she discovers will connect her past and future in ways she never could have imagined-and reveal her own role in a plot that endangers not just her world, but the entire multiverse"-- Provided by publisher