Lynne Cooke is a leading curator whose work focuses on art of the 20th and 21st centuries. Her curatorial practice is marked by a profound interest in overlooked subjects and artists, particularly women who made significant contributions to the minimalist movement. Cooke has gained renown for her meticulous research and her efforts to bring new dimensions to the understanding of modern and contemporary art through exhibitions and publications. Her critical approach and ability to connect diverse artistic traditions and generations make her an influential figure in the art world.
Kat. Ausst. Kunstraum München, Glyptothek München, Kunstforum München. München: Kunstraum München, 1983. Texte von Helmut Friedel, Barbara Hammann und Luise Horn (dt. und engl.). 103 Seiten, 65 Abb., davon 25 in Farbe. 27,5 x 23 cm. Softcover. ISBN 978-3-923874-38-5 (3-923874-38-3)
This anthology includes the vast majority of significant essays on Bridget Riley written since 1999. This was a particularly fruitful period in the reception of her work, as the discourse broadened and her reputation as one of the most important painters of her generation solidified.The essays range from biographical and career overviews to detailed analysis of specific aspects or themes that occur throughout Riley's career. The selection reflects a rich body of work, which sustains the interest of important authors, as evidenced by multiple pieces by �ric de Chassey, Lynne Cooke, Robert Kudielka, Paul Moorhouse and Richard Shiff. Together, this volume of essays tells the story of an artist whose art has continuously evolved over nearly six decades.Most of the critical texts have been written in close consultation with the artist, the result of long conversations, studio visits and archive access. Largely commissioned on the occasion of particular exhibitions, these essays track and trace Riley's focus and influences at different moments in time. Each essay builds upon the next, with more recent authors clearly responding and referencing earlier discourse. The result is a collection of great breadth and cohesion.Featuring essays by 18 authors including Frances Spalding, Michael Bracewell, and Dave Hickey.
"The German artist Rosemarie Trockel has gained international renown for a multifaceted practice encompassing painting, sculpture, video, and drawing. Issues including a concern with natural history, the creative expression of diverse species, and the representation and role of women in contemporary culture fuel her work"--From Random House website (viewed November 26, 2012).
Shortly before his death in 1977, German painter Blinky Palermo created his most significant cycle of paintings, dedicating it "to the people of nyc." The work consists of 15 parts, composed from 40 painted aluminum panels arranged in combinations of cadmium red, cadmium yellow and black. Recalling Piet Mondrian's late series New York City (1941-42), and works by such American artists as Robert Ryman and Brice Marden, To the People of New York City (1976) is distinguished by its prescribed hanging and pacing, and its rhythmically changing formats, which also bring to mind the Jazz performances that Palermo sought out during his time in New York, where he had maintained a studio from 1973 to 1975. This handsome editiondiscusses To the People of New York City--today in the collection of New York's Dia Art Foundation--within this context and alongside works by his former teacher Joseph Beuys, and his long-time friends and colleagues Imi Knoebel and Gerhard Richter, among others.
Born deaf in 1899, James Castle's work was discovered in the 1950s and 1960s, and has since been exhibited widely by major museums including a travelling retrospective organized in 2008 by the Philadelphia Museum of Art. This title examines Castle's drawings, colour-wash works, cardboard and paper constructions, and word, sign and symbol works.
Sean Scully's large-scale canvases carry on the rich legacy of postwar American abstract painting in an age when much of the critical focus has turned to subject-driven art. Using a deliberately restricted vocabulary of lines or bands of color that allude to architectural elements such as portals, windows, and walls, Scully, an Irish-born, English-trained, naturalized American, has generated a significant, vibrant, and compelling body of work that is widely collected and internationally exhibited. Sean Scully: Twenty Years, 1976-1995 traces the evolution of his art through paintings and related works on paper spanning this important period of contemporary art, a time wherein Scully evolved from a painter whose work was severely hard-edge and minimal, to one whose bravura handling of paint and command of resonant color take nonrepresentational painting towards a decidedly humanistic end
