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Daniel W. Leger

    Vera Székely
    Comperative Perspectives in Modern Psychology
    • The study of animal behavior throws light on everything said to be “natural”: social and family relations, mating, communication, and learning. Comparative Perspectives in Modern Psychology illustrates that human behavior is best understood through a method of comparative psychology, based on evolutionary theory that views behavior as the result of the complex interplay of genetics and environment.Contents include: “The Comparative Psychology of Monogamy” by Donald A. Dewsbury; “Coming to Terms with the Everyday Language of Comparative Psychology” by Meredith J. West and Andrew P. King; “The Darwinian Psychology of Discriminative Parental Solicitude” by Martin Daly and Margo Wilson; “A Comparative Approach to Vocal Communication” by Charles T. Snowdon; “A New Look at Ape Language: Comprehension of Vocal Speech and Syntax” by Sue Savage-Rumbaugh; “A Synthetic Approach to the Study of Animal Intelligence” by Alan C. Kamil.

      Comperative Perspectives in Modern Psychology
    • Vera Székely

      • 288 pages
      • 11 hours of reading

      Known for her ceramics, visual artist Vera Székely reached her artistic fulfillment in textiles with her ephemeral installations of bent felt, her stretched canvas structures and 'braced sails' exhibited throughout the world After training as a graphic designer in Hungary, the plastic artist Vera Székely (1919-1994), a member of the Székely-Borderie ceramicist collective, tackled work in clay, metal, wood and glass to reach her artistic fulfillment in textiles. From this point on, Vera Székely acknowledged “swimming and dancing in space to leave a trace in it” with her ephemeral installations of bent felt, her stretched canvas structures and “braced sails” that would be exhibited throughout the world, notably at the Biennale internationale de la tapisserie, Lausanne (1981) the Musée national d'art moderne, Centre Georges Pompidou (1982), the Musée d'art moderne de la ville de Paris (1985), the Lunds Konsthall, Sweden (1988). Text in English and French.

      Vera Székely