Independent and spirited Bathsheba Everdene has come to Weatherbury to take up her position as a farmer on the largest estate in the area. Her bold presence draws three very different suitors: the gentleman-farmer Boldwood, soldier-seducer Sergeant Troy and the devoted shepherd Gabriel Oak. Each, in contrasting ways, unsettles her decisions.
Focusing on the 1830s to the late 1870s, this work explores the evolution of classical perspective in aesthetic practices in England. Linda M. Shires highlights how artists and writers innovatively employed techniques of dissolution, combination, and multiple viewpoints, challenging the conventional timeline established by intellectual historians. Through a detailed examination of various texts and artistic expressions, the book reveals the early experimentation that shaped the visual and literary landscape of the period.