"Choreographer and filmmaker Yvonne Rainer has long investigated the ways in which movement can be a political act in and of itself - be it on the stage, on the screen, or at the lectern. In 'Revisions', Rainer pushes her interest in embodied activism to a new arena: what she calls the 'rant dance.' This volume includes the final iteration of Rainer's latest rant dance, entitled 'A Truncated History of the Universe for Dummies'. This performance piece evolved in live presentations in Dublin, Stockholm, and New York before being expanded and adapted in written form here. In this work, Rainer mobilizes her rage and bafflement at contemporary political events through the guise of Apollo Musagète, Leader of the Muses. 'Revisions' also includes 'Pedagogical Vaudeville 3,' a compilation of emails and diary entries that provide a real-time account of Rainer's process of creating and workshopping a dance. A wide-ranging interview with Douglas Crimp provides context for her origins in dance and her return to the form in 2000. Rainer and dancer and Yale professor Emily Coates reflect on the reprisal of Rainer's seminal 'Parts of Some Sextets' (1965/2019), which debuted in November 2019. Together, the texts in 'Revisions' reveals Rainer's consistent interest in reworking and reconsidering material across multiple mediums, formats, and contexts, and offers an unprecedented glimpse at the working methods of one of this century's preeminent dance artists. Bookended with an introduction by artist and scholar Gregg Bordowitz and an analysis of Rainer's 'AG Indexical with a Little Help from H. M'. by Anna Staniczenko, the assembled texts serve not only as a revision of the conventional understanding of five decades of Rainer's production, but also as a timely manual for performance as an act of resistance." -- Book cover
Yvonne Rainer Books
Yvonne Rainer is a groundbreaking artist whose work challenges traditional notions of performance and narrative. Her approach, stemming from her roots in modern dance, emphasizes a deconstruction of movement and meaning. Rainer's directorial work further explores these ideas through film, pushing the boundaries of cinematic storytelling. Her artistic practice consistently interrogates the relationship between the body, language, and representation.


Die amerikanische Künstlerin Yvonne Rainer beginnt nach einer Karriere in avantgardistischem Tanz mit eigenen Filmproduktionen. Ihre frühen Filme sind zunächst im Kontext einer Performance konzipiert: der choreographische Ansatz wird aber umgesetzt in den imaginären und experimentellen Anspruch, das Kino neu zu erfinden. Rainers Neudefinition der filmischen Erzählung steht konträr zur damaligen dominierenden Avantgarderegie. Eine klare feministische und politische Artikulation tritt zutage: zur Diskussion stehen die Psychologie politischer Radikalität, progressiv-akademische Diskurs-Rituale und Probleme des Alterns. Somit entwickeln die Filme eine präzise Sprache des Politischen, die vom Alltag herkommt und ihren theoretischen Sättigungswert gut zu verbergen weiß. Dieses Buch enthält Beiträge der Autorin zur theoretischen Diskussion, Interviews mit ihr sowie ihre sämtlichen Filmskripte.