Sabine Folie Book order






- 2024
- 2024
History Tales
Fakt und Fiktion im Historienbild
- 2022
Das entwendete Meisterwerk / The Purloined Masterpiece
Gemäldegalerie der Akademie der bildenden Künste Wien
The catalogue is published on occasion of the exhibition 'The Purloined Masterpiece. Images as Time Machines' at the Paintings Gallery of the Academy of Fine Arts Vienna.The exhibition contrasts the common practice of the permanent collection with a transhistorical model that allows the Academy's historical art collections - Gemäldegalerie, Kupferstichkabinett, and Glyptothek - to enter into conversation with contemporary works.Drawing on the richness of the collections, the exhibition picks out a selection of the many possible pictorial programs, typologies, and allegorical formulas that the collections provide to loosely interweave with other works from other periods.In-depth essays on the themes of the ship/the sea, the trompe l'oeil, visual cognition from 1500 to 1700, the frame, and subject constitutions in the context of social and technological changes over the centuries and their reflection in the pictorial image are interwoven with impressive exhibition views.English and German text.Published on occasion of the exhibition 'The Purloined Masterpiece. Images as Time Machines', 8 Apr 2022 -29 Jan 2023, Paintings Gallery of the Academy of Fine Arts Vienna.
- 2021
Anna Fliri, Christa Blümlinger, Diana Bulzan, Madeleine Freund, Sabine Folie
- 2019
Ernst Caramelle. A Résumé
- 398 pages
- 14 hours of reading
This exhibition catalogue presents the continuous cross-references between media works (photos, videos, reproductions), wall paintings, Ernst Caramelle's (b. 1952) 'Gesso Pieces', drawings, watercolours, the 'light works,' and prints.Looking at these cross-references allows us to understand the artist's complex and rich concepts and images. Abstraction and symbolic figuration, including expressive floral formlessness, permanently interact in Caramelle's work.A Résumé addresses the themes of artistic productivity, the role of the artist, his involvement in the market and the museum, and negotiations between institutions and artists. This involves pictorial wit, slapstick, diagrammatic forms, pataphysical strategies, comic-like elements, and linguistic quasi-aphorisms with nonsensical undertones.Published on the occasion of the exhibition, Ernst Caramelle: A Résumé at Museum Moderner Kunst Stiftung Luwig Wein/mumok, Vienna (30 November 2018 - 28 April 2019).
- 2013
Dieser umfassende Reader reflektiert in unterschiedlichsten Sichtweisen das Wesen der Konzeptkunst, ihre heutige Stellung und ihr Sammeln und Ausstellen. Zwölf Kuratoren und Theoretiker beschäftigen sich in dem Band mit Vergangenheit, Gegenwart und Zukunft von Konzeptkunst und Institutionenkritik, die sich einerseits in einem „Moment der Historisierung“ befindet, aber anderseits gleichzeitig auch vom institutionellen Mainstream aufgesogen wird.


