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Elisabeth Weis

    Der Sinnbereich "Freude, Traurigkeit" im Sprachenpaar Deutsch-Französisch
    Das tragische Fragment als konstruktives Formprinzip in Hölderlins Empedokles-Projekt
    Film Sound. Theory and Practice
    • 1985

      The only comprehensive book on film sound, this anthology makes available for the first time and in a single volume major essays by the most respected film historians, aestheticians, and theorists of the past sixty years.

      Film Sound. Theory and Practice