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Art as Ritual Engagement in the Funerary Programme of Watetkhethor at Saqqara, c. 2345 BC
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Art as Ritual Engagement is examined through a case study of feminised funerary representation in the repertoire of Watetkhethor, an elite woman interred in the mastaba tomb of her spouse, Mereruka, at Saqqara, c.2345-2181 BCE.
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