More about the book
Until his death aged thirty-three in 1982, Lester Bangs wrote wired, rock 'n' roll pieces on Iggy Pop, The Clash, John Lennon, Kraftwerk, Lou Reed. As a rock critic, he had an eagle-eye for distinguishing the pre-packaged imitation from the real thing; written in a conversational, wisecracking, erotically charged style, his hallucinatory hagiographies and excoriating take-downs reveal an iconoclast unafraid to tell it like it is. To his journalism he brought the talent of a great a renegade Beat poet, and his essays, reviews and scattered notes convey the electric thrill of a music junky indulging the habit of a lifetime. As Greil Marcus writes in his introduction, 'What this book demands from a reader is a willingness to accept that the best writer in America could write almost nothing but record reviews.'
Book purchase
Serpent's Tail Classics: Psychotic Reactions and Carburetor Dung, Lester Bangs
- Language
- Released
- 2014
- Binding
- (Paperback),
- Book condition
- Good
- Price
- €6.99
Payment methods
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- Title
- Serpent's Tail Classics: Psychotic Reactions and Carburetor Dung
- Authors
- Lester Bangs
- Publisher
- Profile Books
- Released
- 2014
- Format
- Paperback
- Pages
- 416
- ISBN10
- 1781252777
- ISBN13
- 9781781252772
- Series
- Tags
- Non-Fiction, Art & Culture, Historical Themes, History, True Stories, Music Theme, Music, 20th century, Opinion Journalism & Essays, Journalism, Criticism, Popular Culture, Rock, Popular Music
- Description
- Until his death aged thirty-three in 1982, Lester Bangs wrote wired, rock 'n' roll pieces on Iggy Pop, The Clash, John Lennon, Kraftwerk, Lou Reed. As a rock critic, he had an eagle-eye for distinguishing the pre-packaged imitation from the real thing; written in a conversational, wisecracking, erotically charged style, his hallucinatory hagiographies and excoriating take-downs reveal an iconoclast unafraid to tell it like it is. To his journalism he brought the talent of a great a renegade Beat poet, and his essays, reviews and scattered notes convey the electric thrill of a music junky indulging the habit of a lifetime. As Greil Marcus writes in his introduction, 'What this book demands from a reader is a willingness to accept that the best writer in America could write almost nothing but record reviews.'


