Explore the latest books of this year!
Bookbot

Serpent's Tail Classics: Psychotic Reactions and Carburetor Dung

Parameters

  • 416 pages
  • 15 hours of reading

More about the book

Until his death aged thirty-three in 1982, Lester Bangs wrote wired, rock 'n' roll pieces on Iggy Pop, The Clash, John Lennon, Kraftwerk, Lou Reed. As a rock critic, he had an eagle-eye for distinguishing the pre-packaged imitation from the real thing; written in a conversational, wisecracking, erotically charged style, his hallucinatory hagiographies and excoriating take-downs reveal an iconoclast unafraid to tell it like it is. To his journalism he brought the talent of a great a renegade Beat poet, and his essays, reviews and scattered notes convey the electric thrill of a music junky indulging the habit of a lifetime. As Greil Marcus writes in his introduction, 'What this book demands from a reader is a willingness to accept that the best writer in America could write almost nothing but record reviews.'

Book purchase

Serpent's Tail Classics: Psychotic Reactions and Carburetor Dung, Lester Bangs

Language
Released
2014
Binding
(Paperback),
Book condition
Good
Price
€6.99

Payment methods

No one has rated yet.Add rating

Title
Serpent's Tail Classics: Psychotic Reactions and Carburetor Dung
Publisher
Profile Books
Released
2014
Format
Paperback
Pages
416
ISBN10
1781252777
ISBN13
9781781252772
Series
Description
Until his death aged thirty-three in 1982, Lester Bangs wrote wired, rock 'n' roll pieces on Iggy Pop, The Clash, John Lennon, Kraftwerk, Lou Reed. As a rock critic, he had an eagle-eye for distinguishing the pre-packaged imitation from the real thing; written in a conversational, wisecracking, erotically charged style, his hallucinatory hagiographies and excoriating take-downs reveal an iconoclast unafraid to tell it like it is. To his journalism he brought the talent of a great a renegade Beat poet, and his essays, reviews and scattered notes convey the electric thrill of a music junky indulging the habit of a lifetime. As Greil Marcus writes in his introduction, 'What this book demands from a reader is a willingness to accept that the best writer in America could write almost nothing but record reviews.'