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Alfred H. Barr, Jr. and the Intellectual Origins of the Museum of Modern Art

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This intellectual biography explores the life of Alfred H. Barr, Jr., the founding director of the Museum of Modern Art. Growing up in the twentieth century, Barr (1902-1981) played a pivotal role in the emergence of modern art in America. The narrative follows his career from the 1920s to the 1940s, unraveling the myths surrounding his contributions. Barr championed an aesthetic rooted in the intrinsic qualities of art and the techniques used in its creation. This formalist perspective shaped the museum's structure, influencing its collections, exhibitions, and publications. Kantor illustrates how Barr reconciled classical objectivity with mythic irrationality, allowing him to view modernism as an ever-evolving concept that encompassed various styles, including surrealism, nationalism, realism, and expressionism. Through interviews with Barr's contemporaries and his extensive correspondence, Kantor vividly portrays key figures such as Jere Abbott, Katherine Dreier, Henry-Russell Hitchcock, Philip Johnson, Lincoln Kirstein, Agnes Mongan, J. B. Neumann, and Paul Sachs. This work not only highlights Barr's significant impact on modern art but also provides insight into the cultural landscape of the time.

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Alfred H. Barr, Jr. and the Intellectual Origins of the Museum of Modern Art, Sybil Gordon Kantor

Language
Released
2003
Binding
(Paperback),
Book condition
Good
Price
€12.99

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Title
Alfred H. Barr, Jr. and the Intellectual Origins of the Museum of Modern Art
Language
English
Publisher
Mit Press Ltd
Released
2003
Format
Paperback
Pages
496
ISBN10
0262611961
ISBN13
9780262611961
Series
Description
This intellectual biography explores the life of Alfred H. Barr, Jr., the founding director of the Museum of Modern Art. Growing up in the twentieth century, Barr (1902-1981) played a pivotal role in the emergence of modern art in America. The narrative follows his career from the 1920s to the 1940s, unraveling the myths surrounding his contributions. Barr championed an aesthetic rooted in the intrinsic qualities of art and the techniques used in its creation. This formalist perspective shaped the museum's structure, influencing its collections, exhibitions, and publications. Kantor illustrates how Barr reconciled classical objectivity with mythic irrationality, allowing him to view modernism as an ever-evolving concept that encompassed various styles, including surrealism, nationalism, realism, and expressionism. Through interviews with Barr's contemporaries and his extensive correspondence, Kantor vividly portrays key figures such as Jere Abbott, Katherine Dreier, Henry-Russell Hitchcock, Philip Johnson, Lincoln Kirstein, Agnes Mongan, J. B. Neumann, and Paul Sachs. This work not only highlights Barr's significant impact on modern art but also provides insight into the cultural landscape of the time.